Title variants
Languages of publication
Abstracts
The Turkish comic folk hero Nasreddin Hodja is known across the Muslim and former Ottoman world, but he also has a unique place in modern Slavic literatures (Russian, Bosnian/Serbian, Bulgarian, and Czech). What is interesting in each of these works is the way that this character has been adapted as a transcultural icon, transforming his medieval Islamic spirit into something suitable for modern national literatures while preserving his essential comic qualities. Nasreddin’s Slavic “afterlife” is not simply a forerunner of literary globalization. It also shows how exotic figures allow expanded freedom of expression under various forms of cultural repression.
Journal
Year
Volume
Issue
Pages
35 – 46
Physical description
Contributors
author
- Yeditepe University, Faculty of Arts and Sciences, 26 a ̆g ustos Yerleşimi, 34755 Kayişda ̆g Istanbul, Turkey
References
Document Type
Publication order reference
Identifiers
YADDA identifier
bwmeta1.element.cejsh-99d5e41e-f07f-4057-8b3f-2be1f857f0c2