„PRASKANIE OBRAZU“ ALEBO POETIKA TRHLÍN (NA PRÍKLADE FESTIVÍT SUBKULTÚRNEJ PREZENCIE)
„A cracking picture“ or poetics of ruptures (Exemplified by festivities of subcultural presence)
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The paper consists of two parts. In the first one the author focuses on obtaining methodological tools, which make it possible to oppose the rationalist modernist construct of history as „inevitable evolution“, where an individual human and his or her living uniqueness, the concept aimed at revealing and emphasizing living uniqueness of existence dissolve. What becomes the tool for the author is the „principle of authenticity“ formulated by Alessandro Ferrara and the effort to develop the „project of modernism“, which is presented by Miroslav Petříček. By employing the methodological apparatus, the other part of the paper is aimed at identifying poetics of presence (as modality of event poetics), which was used to „show“ activities of subcultures in the space of Czechoslovak culture after year 1948.
68 – 87
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