SLOVENSKÁ ĽUDOVÁ PIESEŇ V POHĽADE HUDOBNÉHO HISTORIKA DOBROSLAVA ORLA

• Authors: Urbancová Hana

Title variants

EN

Slovak folk song as seen by the music historian Dobroslav Orel

• Languages of publication: SK

Abstracts

EN

Czech musicologist Dobroslav Orel (1870–1942) incorporated Slovak musical folklore into the domain of his scholarly interests after his move to Bratislava in 1919. His article Teorie o lidové písni slovenské [Theory of the Slovak Folk Song] (1928) brought an idea of the historical church music influences on Slovak folk singing and became part of the evolution of opinions on the fundamentals of Slovak musical folklore, its genesis, musical style features, inter-ethnic and inter-cultural connections. Orel regarded Slovak musical folklore in the form of live tradition as an independent field of musicological research. The historical sources of Slovak folk song and music were, in his view, part of the history of music and a research object for historical musicology.

Keywords

EN

MUSIC FOLKLORISTICS; FOLK SONG; HISTORICAL SOURCES; DOBROSLAV OREL

• Publisher: Institute of Musicology, Slovak Academy of Sciences; VEDA, Publishing House of the Slovak Academy of Sciences
• Journal: Musicologica Slovaca
• Year: 2022
• Volume: 13 (39)
• Issue: 2
• Pages: 233-252

Contributors

author

Urbancová Hana

• Ústav hudobnej vedy SAV, v. v. i., Dúbravská cesta 9, 841 04 Bratislava 4, Slovak Republic

• https://orcid.org/0000-0002-3870-9117

Identifiers

DOI

https://doi.org/10.31577/musicoslov.2022.2.6