SÚČASNÉ UMENIE NA CESTE K POST-POST? AKO ANDRÉ STANGUENNEC SPÁJA UMENIE SO SKROMNÝM, TRIVIÁLNYM A NEGRANDIÓZNYM

• Authors: Robert Karul

Title variants

EN

Contemporary art on the way to post-post? Modesty, triviality and non-grandiosity in Andre Stanguennec’s vision of art

• Languages of publication: SK

Abstracts

EN

Andre Stanguennec sees something new arising in art: after modernity and postmodernity we witness a period called by him a post-post. The latter is a negation of the previous two, included at the same time into a new synthesis, in which they are not opposites any more. The article offers a reconstruction of several aspects of this synthesis. The new form of art is identified first of all in documentary video-art or in the micro-poietics of everyday life. The video-art is attractive due to its engagement and the critique of social defects, especially on legal and political levels. The small, non-grandiose poietics is related to more personal morals. It represents the ethical metaphysical aspect of the new art.

Keywords

EN

VIDEO ART; DOCUMENT; SOCIAL CRITIQUE; POIETICS; ANDRE STANGUENNEC

• Publisher: Institute of Philosophy, Slovak Academy of Sciences
• Journal: Filozofia (Philosophy)
• Year: 2016
• Volume: 71
• Issue: 7
• Pages: 595 – 607

Contributors

author

Robert Karul

• Filozofický ústav SAV, Bratislava, Slovak Republic