PL EN


2013 | 68 | 9 | 729 – 740
Article title

UMELEC – PONTIFEX OPPOSITORUM

Authors
Content
Title variants
EN
Artist: Pontifex Oppositorum
Languages of publication
SK
Abstracts
EN
The paper offers an interpretation of the canon background of one of the classical Chinese ink paintings. Besides some technical details, it exposes a number of important philosophical connections significant for the elucidation of the ontological status of artistic subjectivity as such. On the example of a reproduction of one of Chinese paintings (Fan Kchuan) from “the Golden era” as well as by some insights into contemporary phenomenological aesthetics (namely into the work of the French philosopher H. Maldiney), it shows the significance of the two fundamental aspects of artistic creation: Vacuity and Breath.
Keywords
Year
Volume
68
Issue
9
Pages
729 – 740
Physical description
Contributors
  • Inštitút filozofie a etiky FF PU, 17. novembra 1, 080 01 Prešov, Slovak Republic
References
Document Type
Publication order reference
Identifiers
YADDA identifier
bwmeta1.element.cejsh-aa6362e2-2195-4405-8b6a-4db27a29177c
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