EN
The exploration of the writing process, the connection between an author's memory, creative thinking, and the text, became a central theme in Herta Müller's essayistic works following her emigration to Germany in the late 1980s. This theme also found its place in her debut fictional literature. Approaches to self-reflexive writing emerged in the essay collection Der Teufel sitzt im Spiegel. Wie Wahrnehmung sich erfindet (1991), as well as in later essay compilations like Der König verneigt sich und tötet and the text Immer derselbe Schnee und immer derselbe Onkel (2011). This article seeks to explore the relationship between the self-reflexive staging of the act of writing in Herta Müller's essays from the 1990s and its fictional representation in her novel. The answer to this inquiry is pursued within the framework of the present article.