PL EN


2013 | 61 | 2 | 108 - 122
Article title

ÚVOD DO PREMIEN SLOVENSKEJ SCÉNOGRAFIE

Content
Title variants
EN
Introduction to the transformation of the Slovak stage design
Languages of publication
SK
Abstracts
EN
The paper is introduction to the metamorphosis of the Slovak stage design from the 1970s up to present. The author focuses on the expansion of conventional theatre space in the Slovak context (auditorium/stage) by new acting locations (street, square, railway station, i.e. site-specific locations) and other changes related to modernism, post-modernism and trans-culturalism in the arts/ the theatre. Today, stage design reflects the feelings and a flurry of emotions of an individual and of the society. It makes use of the state-of-the-art technology not only to finish off a message but also to disintegrate an idea, a plot and to act as a counterpoint to the word or the theme. On the one hand, it is dynamic and polyfunctional, on the other hand, it is static and semiotic. New theatre forms reflect the time we live. The story has disappeared from the theatre and it has been replaced by the images, emotions of an actor/performer, thus representing his/their (self) knowledge. Oftentimes, the stage designer is within the performer who lives the time together with “his/her” audience.
Keywords
Year
Volume
61
Issue
2
Pages
108 - 122
Physical description
Contributors
  • Ústav divadelnej a filmovej vedy SAV, Dúbravská cesta 9, 841 04 Bratislava, Slovak Republic
References
Document Type
Publication order reference
Identifiers
YADDA identifier
bwmeta1.element.cejsh-afc8cac6-cf13-4116-8cb5-84a9d99d9d4a
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.