Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

PL EN


2006 | 2 | 2-3 | 199-206

Article title

Music-reading deficiencies and the brain

Selected contents from this journal

Title variants

Languages of publication

Abstracts

EN
This paper reviews the literature on brain damage and music reading for the past 25 years. Acquired patterns of selective loss and sparing are described, including both the association and dissociation of music and text reading, and association and dissociation among components of music reading. As well, we suggest that developmental music - reading deficiencies may be isolated in a form analogous to developmental dyslexia for text or congenital amusia for auditory music processing. Finally, we propose that the results of brain damage studies can contribute to the development of a model of normal music reading.

Year

Volume

2

Issue

2-3

Pages

199-206

Physical description

Contributors

  • École d'orthophonie et d'audiologie, Université de Montréal
author
  • Department of Psychology, Queen's University

References

  • Ayotte, J., Peretz, I., & Hyde, K. (2002). Congenital amusia: A group study of adults afflicted with a music-specific disorder.Brain, 125, 238-251.
  • Ayotte, J., Peretz, I., Rousseau, I., Bard, C., & Bojanowski, M. (2000). Patterns of music agnosia associated with middle cerebral artery infarcts.Brain, 123, 1926-1938.
  • Basso, A., & Capitani, E. (1985). Spared musical abilities in a conductor with global aphasia and ideomotor apraxia.Journal of Neurology, Neurosurgery, and Psychiatry, 48, 407-412.
  • Berversdorf, D. Q., & Heilman, K. M. (1998). Progressive ventral posterior cortical degeneration presenting as alexia for music and words.Neurology, 50, 657-659.
  • Brodsky, W., Henik, A., Rubinstein, B., & Zorman, M. (2003). Auditory imagery from musical notation in expert musicians.Perception & Psychophysics, 65, 602-612.
  • Brust, J. (1980). Music and language: musical alexia and agraphia.Brain, 103, 367-392.
  • Cappelletti, M., Waley-Cohen, H., Butterworth, B., & Kopelman, M. (2000). A selective loss of the ability to read and to write music.Neurocase, 6, 321-332.
  • Coltheart, M. (2001). Assumptions and methods in cognitive neuropsychology. In B. Rapp (Ed.),Handbook of Cognitive Neuropsychology(pp. 3-21). Hove: Psychology Press.
  • Di Pietro, M., Laganaro, M., Leemann, B., & Schnider, A. (2004). Receptive amusia: temportal auditory processing deficit in a professional musician following a left temporo-parietal lesion.Neuropsychologia, 42, 868-877.
  • Fasanaro, A. M., Spitaleri, D. L. A., Valiani, R., & Grossi, D. (1990). Dissociation in musical reading: A musician affected by alexia without agraphia.Music Perception, 7, 259-272.
  • Godefroy, O., Leys, D., Furby, A., De Reuck, J., Daems, C., Rondepierre, P., Debachy, B., Deleume, J. F., & Desaulty, A. (1995). Psychoacoustical deficits related to bilateral subcortical hemorrhages: A case with apperceptive auditory agnosia.Cortex, 31, 149-159.
  • Gordon, N. (2000). Developmental dysmusia (developmental musical dyslexia).Developmental Medicine and Child Neurology, 42, 214-215.
  • Griffiths, T.D., Rees, A., Witton, C., Cross, P.M., Shakir, R. A., & Green, G. G. (1997). Spatial and temporal auditory processing deficits following right hemisphere infarction: A psychophysical study.Brain, 120, 785-794.
  • Hébert, S., Peretz, I., & Racette, A. (in press). Should we make aphasic patients sing? In P. Marien & J. Abutalebi (Eds.),Neuropsychology in Progress (in the Honor of L. Vignolo).Hove, UK: Psychology Press.
  • Hébert, S., Racette, A., Gagnon, L., & Peretz, I. (2003). Revisiting the dissociation between singing and speaking in expressive aphasia.Brain, 126, 1838-1850.
  • Hofman, S., Klein, C., & Arlazoroff, A. (1993). Common hemisphericity of language and music in a musican: A case report.Journal of Communication Disorders, 26, 73-82.
  • Horikoshi, T., Asari, Y., Watanabe, A., Nagaseki, Y., Nukui, H., Sasaki, H., & Komiya, K. (1997). Music alexia in a patient with mild pure alexia: Disturbed visual perception of nonverbal meaningful figures.Cortex, 33, 187-194.
  • Judd, T., Gardner, H., & Geshwind, N. (1983). Alexia without agraphia in a composer.Brain, 106, 435-457.
  • Kawamura, M., Midorikawa, A., & Kezuka, M. (2000). Cerebral localization of the center for reading and writing music.Neuroreport, 11, 3299-3303.
  • Laignel-Lavastine, M., & Alajouanine, T. (1921). Un cas d'agnosie auditive.Société de Neurologie, 37, 194-198.
  • Lehmann, A. C., & McArthur, V. (2002). Sight-reading. In R. Parncutt & G. E. McPherson (Eds.),The science and psychology of music performance(pp. 135-150). New York: Oxford.
  • Levin, H. S., & Rose, J. E. (1979). Alexia without agraphia in a musician after transcallosal removal of a left intraventricular meningioma.Neurosurgery, 4, 168-174.
  • Marin, O. S. M., & Perry, D. W. (1999). Neurological aspects of music perception and performance. In D. Deutsch (Ed.),The Psychology of Music(2nd ed.) (pp. 653-724). New York: Academic Press.
  • Mavlov, L. (1980). Amusia due to rhythm agnosia in a musician with left hemisphere damage: a non-auditory supramodal defect.Cortex, 16, 331-338.
  • Mendez, M. (2001). Generalized auditory agnosia with spared music recognition in a lefthander: Analysis of a case with a right temporal stroke.Cortex, 37, 139-150.
  • Midorikawa, A., & Kawamura, M. (2000). A case of musical agraphia.Neuroreport, 11, 3053-3057.
  • Midorikawa, A., Kawamura, M., & Kezuka, M. (2003). Musical alexia for rhythm notation: A discrepancy between pitch and rhythm.Neurocase, 9, 232-238.
  • Peretz, I. (1996). Can we lose memories for music? The case of music agnosia in a nonmusician.Journal of Cognitive Neurosciences, 8, 481-496.
  • Peretz, I., Ayotte, J., Zatorre, R. J., Mehler, J., Ahad, P., Penhune, V. B., & Jutras, B. (2002). Congenital amusia: a disorder of fine-grained pitch discrimination.Neuron, 33, 185-191.
  • Peretz, I., Belleville, S., & Fontaine, F. (1997). Dissociations entre musique et langage après atteinte cérébrale: un nouveau cas d'amusie sans aphasie.Canadian Journal of Experimental Psychology, 51, 354-367.
  • Peretz, I., & Coltheart, M. (2003). Modularity of music processing.Nature Neuroscience, 6, 688-691.
  • Peretz, I., Gagnon, L., Hébert, S., & Macoir, J. (2004). Singing in the brain: Insights from cognitive neuropsychology.Music Perception, 21, 373-390.
  • Peretz, I., & Kolinsky, R. (1993). Boundaries of separability between melody and rhythm in music discrimination: A neuropsychological perspective.The Quarterly Journal of Experimental Psychology, 46, 301-325.
  • Peretz, I., Kolinsky, R., Tramo, M., Labrecque, R., Hublet, C., Demeurisse, G., & Belleville, S. (1994). Functional dissociations following bilateral lesions of auditory cortex.Brain, 117, 1283-1302.
  • Peretz, I., & Zatorre, R. J. (2005). Brain organization for music processing.Annual Review of Psychology, 56, 4-26.
  • Piccirilli, M., Sciarma, T., & Luzzi, S. (2000). Modularity of music: Evidence from a case of pure amusia.Journal of Neurology, Neurosurgery & Psychiatry, 69, 541-545.
  • Schön, D., Anton, J. L., Roth, M., & Besson, M. (2002). An fMRI study of music sight-reading.Neuroreport, 13, 2285-2289.
  • Schön, D., Semenza, C., & Denes, G. (2001). Naming of musical notes: A selective deficit in one musical clef.Cortex, 37, 407-421.
  • Signoret, J. L., Van Eeckhout, P., Poncet, M., & Castaigne, P. (1987).Aphasie sans amusie chez un organiste aveugle.Revue Neurologique (Paris), 143, 172-181.
  • Sloboda, J. (1978). The psychology of music reading.Psychology of Music, 6, 3-20.
  • Sloboda, J. (1980). The uses of space in music notation.Visible Language, 15, 86-110
  • Sloboda, J. (1984). Experimental studies of music reading: A review.Music Perception, 2, 222-236.
  • Stanzione, M., Grossi, D., & Roberto, L. (1990). Note-by-note music reading: A musician with letter-by-letter reading.Music Perception, 7, 273-284.
  • Steinke, W. R., Cuddy, L. L., & Jakobson, L. S. (2001). Dissociations among functional subsystems governing melody recognition after right-hemisphere damage.Cognitive Neuropsychology, 18, 411-437.
  • Tzortzis, C., Goldblum, M. C., Dang, M., Forette, F., & Boller, F. (2000). Absence of amusia and preserved naming of musical instruments in an aphasic composer.Cortex, 36, 227-242.
  • Wilson, S. J., & Pressing, J. (1999). Neuropsychological assessment and the modeling of musical deficits. In R. R. Pratt & D. Erdonmez Grocke (Eds.),Music Medicine and Music Therapy: Expanding horizons(pp. 47-74). Melbourne: The University of Melbourne.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.cejsh-article-doi-10-2478-v10053-008-0055-7
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.