KONIEC BÁSNE A JEJ POKRAČOVANIA

• Authors: Michalovič Peter , Zervan Marian

Title variants

EN

The end of the poem and its continuations

• Languages of publication: SK

Abstracts

EN

The paper addresses the problem of the boundaries of the poem, both at the textual level – considering the poem as a definitive formation and the author's repeated return to a single poem – and in terms of its transgression toward both literary and non-literary texts. It focuses on broad borderlands or inter-medial and inter-semiotic fields, where poetic language and imagery extend beyond their own limits toward other art forms such as music and visual art. In these encounters, poetry enters into resonances, interpenetrations, harmonies, and contradictions with its own imagery. This process gives rise to new forms of intertextuality, inter-mediality, and inter-iconicity within the arts. Poetic writing may also engage in diverse osmoses and interferences with non-literary discourses – such as philosophical writing – and not exclusively in interpretation, but also via mutually enriching oscillations. Examples of this dynamic can be found in the texts of such authors as Friedrich Nietzsche or Martin Heidegger. The study takes as its methodological starting point the rhizomatic ontology of the artwork, understood as a condition for its scriptibility (Gilles Deleuze, Roland Barthes).

Keywords

EN

POEM; SCRIPTIBILITY; RHIZOMATIC RELATIONSHIPS

• Publisher: Institute of Slovak Literature, Slovak Academy of Sciences
• Journal: Slovenská literatúra (Slovak Literature)
• Year: 2025
• Volume: 72
• Issue: 3
• Pages: 179 - 191

Contributors

author

Michalovič Peter

• Katedra estetiky, Filozofická fakulta Univerzity Komenského, Gondova 2, 811 02 Bratislava, Slovak Republic

• https://orcid.org/0009-0007-0936-028X

author

Zervan Marian

• https://orcid.org/0000-0002-4902-1852

Identifiers

DOI

https://doi.org/10.31577/slovlit.2025.72.3.2