PL EN


2011 | 75-76 | 199-208
Article title

Realistyczny musical? Allen – Resnais – von Trier

Authors
Title variants
EN
REALISTIC MUSICAL? ALLEN-RESNAIS-VON TRIER
Languages of publication
PL
Abstracts
EN
In musical realism has many faces; as a category, it has many meanings and is subject to change. It is also dependent on the genre (e.g. in backstage musicals or in films about artists music, song and dance are quite justified). However it is not a constitutive feature of the genre in question and it is simply a convention. Nonetheless Koschany points to certain poetics and concepts that do not fit with this view and habits of the audiences. The article presents the analysis of three exceptional films by three directors: Woody Allen’s Everyone says I Love You (1996), On connaît la chanson (Same old song) by Alain Resnais (1997) and Dancer in the Dark by Lars von Trier (2000). For the directors in question, their musicals were important experiments – self reflective tales about the status of the genre and the possibility of its realistic version.
Year
Issue
Pages
199-208
Physical description
Contributors
  • Uniwersytet im. Adama Mickiewicza, Instytut Kulturoznawstwa, ul. Szamarzewskiego 91, 60-568 Poznań, Polska
References
Document Type
Publication order reference
Identifiers
YADDA identifier
bwmeta1.element.cejsh-b348b862-9fc4-403e-a28f-11ff3a27ce07
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