HUDBA, ZVUK A HLUK V SÚČASNOM HUDOBNODRAMATICKOM UMENÍ

• Authors: Kopčáková Slávka

Title variants

EN

Music, sound, and noise in the contemporary music-dramatical art

• Languages of publication: SK

Abstracts

EN

The increase of noise in man’s environment is a characteristic of aural human culture of the 20th century. Its subsequent involvement in artistic culture (futurism, electroacoustic music, noise music, etc.) is a natural consequence of these processes. At its beginnings, noise, hisses, distortions, and various, originally non-musical, sounds came to be the means of expansion of potential aesthetic qualities of art. In the paper, the presence of noise elements as means of expression in the contemporary musical-dramatic genre is considered. Their aesthetic effects in alternative theatre are analysed using examples of performances and workshops at the “Academic Prešov” festival.

Keywords

EN

AESTHETICS; NOISE; ELECTROACOUSTIC MUSIC; MUSIC-DRAMATICAL GENRE; ALTERNATIVE THEATRE

• Publisher: Society for Aesthetics in Slovakia ad Institute of Aesthetics and Art Culture
• Journal: ESPES
• Year: 2013
• Volume: 2
• Issue: 2
• Pages: 9 – 16

Contributors

author

Kopčáková Slávka

• Inštitút estetiky a umeleckej kultúry FF PU v Prešove, Prešov, Slovak Republic