EN
This study specifies three forms of autobiographical writing: the prose by Jana Bodnárová’s takmer neviditeľná (almost invisible, 2008), whose title (beginning with a lowercase letter) suggests the dissolution of the subject in fragments from her past and present life; the hybrid “novel” by Katarína Kucbelová Čepiec (2019; The Bonnet, 2024), in which the autobiographical line is one of its many layers; and Michaela Rosová’s novella Tvoja izba (Your room, 2019), both revealing and concealing hidden layers of the self. Through the texts in question and secondary literature, the article documents not only the revitalization of autobiographical approaches in Slovak women’s writing after 2000, but also the reinforcement of its fictionalization.