KOMPILAČNÝ FILM A JEHO KONCEPT – PRÍPADOVÉ ŠTÚDIE

• Authors: Palúch Martin

Title variants

EN

Compilation film and its concept. Case studies

• Languages of publication: SK

Abstracts

EN

Using the example of three films spanning different historical periods, the study provides an analysis of the creative potential of a compilation film. In its first part, the study contemplates the juxtaposition of current events within the concept of a critical compilation film by Henri Storck Histoire du soldat inconnu [Príbeh neznámeho vojaka, 1932], while in the second part, the study scrutinises an avant-garde approach to the juxtaposition of archival materials employing the found footage concept of A Movie (1958), film by Bruce Conner. In its third part, the study provides an analysis of the juxtaposition of acted scenes as a principle of a successive narrative within the concept of the film Final Cut: Hölgyeim és uraim [Dámy a páni, finálna verzia, 201] by György Pálfi.

Keywords

EN

COMPILATION FILM; ARCHIVAL FILM; HISTORY OF FILM; JUXTAPOSITION

• Publisher: Institute of Theatre and Arts, Slovak Academy of Sciences
• Journal: Slovenské divadlo (Slovak Theatre)
• Year: 2020
• Volume: 68
• Issue: 4
• Pages: 384 – 396

Contributors

author

Palúch Martin

• Ústav divadelnej a filmovej vedy, CVU SAV, Dúbravská cesta 9, 841 04 Bratislava, Slovak Republic

Identifiers

DOI

10.31577/sd-2020-0022