APPROPRIATING GUGAK AND NEGOTIATING K-HERITAGE. K-POP'S RECONSTRUCTION OF KOREAN AESTHETICS IN THE AGE OF DIGITAL GLOBALIZATION

• Authors: Kim Hee-sun
• Languages of publication: EN

Abstracts

EN

This paper explores global K-pop's negotiation and reconstruction of Korean aesthetics via the dismantling, adoption, appropriation, and transfiguring of central elements of Korean traditional culture. Recently, K-pop groups have been incorporating traditional music and dance (gugak), traditional attire (hanbok), traditional houses (hanok), and old palaces (gogung) into music videos disseminated globally over digital platforms like YouTube. In their efforts to incorporate more 'Koreanness' into their musical productions and neutralize criticisms of their use of the 'K' prefix as inauthentic and unconnected to Korean aesthetics, groups like BTS and BLACKPINK are redefining 'K-heritage' for music consumers worldwide. Along with other globally consumed Hallyu productions like K-movies, K-dramas, and K-games, K-Pop is in the process of reconstructing Koreans' and the world's view of the meaning of Koreanness.

Keywords

EN

TRADITIONAL MUSIC; K-HERITAGE; K-POP; KOREAN AESTHETICS; DIGITAL GLOBALIZATION

• Publisher: Society for Aesthetics in Slovakia ad Institute of Aesthetics and Art Culture
• Journal: ESPES
• Year: 2022
• Volume: 11
• Issue: 1
• Pages: 27 - 39

Contributors

author

Kim Hee-sun

• Kookmin University, Jeongneung-ro, Seongbuk-gu, Seoul, Korea

Identifiers

DOI

10.5281/zenodo.66397 44