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2012 | 49 | 1-2 | 169-200

Article title

Polystylovost a koláž v české hudbě 2. poloviny 20. století (teorie, publicistika a recepce skladatelské tvorby v letech 1960–2000)

Authors

Content

Title variants

EN
POLYSTYLISM AND COLLAGE IN CZECH MUSIC OF THE 2ND HALF OF THE 20TH CENTURY (THEORY, JOURNALISM, AND RECEPTION OF WORKS COMPOSED BETWEEN 1960 AND 2000)

Languages of publication

CS

Abstracts

EN
The topic of this study is the music of Czech composers based mainly on the juxtaposition of styles, stylizations of historical or jazz music, and the use of quotations in the years between 1960 and 2000. It deals with reconstruction of the meanings of the period musical terms polystylism and collage, and it maps out the use of these terms in the reception of this music at the time and in the compositional theory and practice of Czech musical culture during that forty-year period. The main sources for the analysis of terms were reviews, articles, and scholarly studies in music journals along with the contemporary statements of the composers themselves at the time and at the present. In that context, the study follows the leading representatives from among composers and critics, derives the meanings of the terms polystylism and collage, and places them in the context of Czech music of that period. As an example of a specific composition reflected upon in the context of polystylism and collage and exhibiting a number of elements typical of this compositional orientation, the study contains an analysis of the composition Útěk (The Flight) written by Arnošt Parsch in 1973.

Keywords

Year

Volume

49

Issue

1-2

Pages

169-200

Physical description

Contributors

  • Hudební věda, redakce, Etnologický ústav AV ČR, v.v.i., Puškinovo nám. 9, 160 00 Praha 6, Czech Republic

References

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.cejsh-d2e8e808-0935-4fa6-b9fe-5b5372b7af11
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