ANOTHER LOOK AT JARED S. MOORE’S COMPREHENSIVE VIEW OF BEAUTY

• Authors: Focosi Filippo , Corvino Pier Francesco
• Languages of publication: EN

Abstracts

EN

According to what is known as the classic theory, beauty can be defined as unity or formal harmony. To overcome some of the criticisms that it encountered, the American philosopher Jared S. Moore proposed, in his paper from 1942, a modernisation of such theory, by distinguishing various types and subtypes of harmony which, taken together, are intended to cover both the objective and the subjective sides of beauty. Our goal is to look closer to some of the main principles that emerge within Moore’s intricate taxonomy of harmony – most notably, the principles of organic unity, fittingness, and empathy – which in his article are only sketched or implicitly suggested. Employing such supplementations, we hope to make J.S. Moore’s comprehensive view of beauty even more complete from a theoretical standpoint and suitable to face the challenge posed by the modernist and postmodern artistic practices, which seemingly undermined the notions of beauty and formal harmony.

Keywords

EN

BEAUTY; FORM; HARMONY; UNITY; EMPATHY; JARED S. MOORE

• Publisher: Society for Aesthetics in Slovakia ad Institute of Aesthetics and Art Culture
• Journal: ESPES
• Year: 2023
• Volume: 12
• Issue: 2
• Pages: 45 - 59

Contributors

author

Focosi Filippo

• University of Macerata, Via Giovanni Mario Crescimbeni 30, 62100 Macerata MC, Italy

author

Corvino Pier Francesco

Identifiers

DOI

10.5281/zenodo.10489478