PARADIGMOU SÚČASNÉHO UMENIA JE NEAUTENTICITA

• Authors: Róbert Karul

Title variants

EN

Non-authenticity: The paradigm of the contemporary art

• Languages of publication: SK

Abstracts

EN

Nathalie Heinich distinguishes a mutation in the history of art, which appeared due development of the contemporary art. Analysing a contemporary work of art she finds the non-authenticity to be its essential quality. It is this quality that makes the contemporary work of art different from a modern one laying the claim to authenticity. Non-authenticity presents itself in the author’s intention as untrustworthiness, cheat, insincerity, impersonality, giving up interiority etc.; in the relationship between the artist and his/her work then as breaking the continuity between the two.

Keywords

EN

CONTEMPORARY ART; NON-AUTHENTICITY; SINGULARITY; NATHALIE HEINICH

• Publisher: Institute of Philosophy, Slovak Academy of Sciences
• Journal: Filozofia (Philosophy)
• Year: 2015
• Volume: 70
• Issue: 9
• Pages: 736 – 747

Contributors

author

Róbert Karul

• Ústav divadelnej a filmovej vedy SAV, Bratislava, Slovak Republic