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Journal
2019 | 8 | 2 | 45 – 50
Article title

PROJECTIVE AESTHETICS AS A POSSIBLE WORLD

Authors
Content
Title variants
Languages of publication
EN
Abstracts
EN
The notion of “projective aesthetics” is considered in this paper for the first time as a variant of the recourse to praxis that characterizes contemporary aesthetics and its “aesthetic involvement” (A. Berleant). Projective aesthetics involves the use of methodologies of a new type: “schizoanalysis” (in Deleuze’s and Guattari’s terms), “conceptivism” (as devised by M. Epstein) and “projectivism”. The emphasis is put on the principle of “rhizome” and on the features of so-called “culturonics”, a way of thinking “through projects” in the cultural sphere. Projective aesthetics implies a way of philosophizing about art and aesthetics which is defined by a functional orientation in terms of a process of aestheticization and artification, and, accordingly, of projectivity. The connection between projective aesthetics and the peculiarities of modern communicative aesthetics is also examined, together with the need for creating a philosophical glossary of artistry and modern art, meant as a relevant project for aesthetics. In the text, a special place is also given to a number of projects implemented in the process of teaching philosophical aesthetics, as related to beauty as well as with the direct participation of students in filling out the contents of the above-mentioned glossary.
Journal
Year
Volume
8
Issue
2
Pages
45 – 50
Physical description
Contributors
author
  • Ural Federal University, Department of Philosophy, Yekaterinburg, Russia
References
Document Type
Publication order reference
YADDA identifier
bwmeta1.element.cejsh-dc323afe-0fdf-41e9-b1f7-300a3a5a76d2
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