ARNOLD GEHLEN O UMĚNÍ, SPOLEČNOSTI A POSTHISTOIRE

• Authors: Blahutková Daniela

Title variants

EN

Arnold Gehlen about modern art, culture and post-history

• Languages of publication: CS

Abstracts

EN

The use of the term post-history in Arnold Gehlen’s writings can be traced back to as early as the Fifties. It occurs also in his work Zeit-Bilder. Zur Soziologie und Ästhetik der modernen Malerei (1960/1986), where his theory of the art-historical development of pictorial rationality and his notion of ‘peinture conceptuelle’ are formulated as key tendencies of modern painting. Focusing on both Gehlen’s notion of modern art’s aesthetics and on his ‘theorem’ of post-history (as a crystallization of socio-cultural structures), my attempt in this paper is to highlight the contribution of the so-called “conservative thinker” with regard to contemporary debates in art and art history.

Keywords

EN

GEHLEN ARNOLD; POST-HISTORY; THEORY OF ART; MODERN PAINTING; MODERN ART

• Publisher: Society for Aesthetics in Slovakia ad Institute of Aesthetics and Art Culture
• Journal: ESPES
• Year: 2019
• Volume: 8
• Issue: 2
• Pages: 74 – 84

Contributors

author

Blahutková Daniela

• Západočeská univerzita v Plzni, Filozofická fakulta, Katedra filozofie, Plzeň, Czech Republic

Identifiers

DOI

https://doi.org/10.5281/zenodo.3632463