Poza dialogiem. Kilka uwag a margnesie “kryzysu sztuki”

• Authors: Romana Kolarzowa

Title variants

EN

IN ADDITION TO DIALOGUE. ON THE MARGINS OF THE “CRISIS OF ART”

• Languages of publication: PL

Abstracts

EN

The text concerns the evolution of musical practice in the last decades of the twentieth century. The starting point is the observation of excess, which is the result of terror "anew". The requirements of the art world, making the music victim of fashion, imposed the creators and auditors against the inability to reconcile the realm of facts and the realm of interpretation. Facts includes the increasing monotony of artistic trends and the obsessive maintenance of the categorical prohibition of establishing a tradition. In the sphere of interpretation those facts were absent. Interpretation conjures reality as - despite experienced monotony - (long absent) and highlighting the newness and showing anew ways. As Józef Czapski I writes about a new dogmatism then. This concept gives the state jurisdiction not only the visual arts. It is characteristic of the alienation of art - when it loses its traditional function, not gaining a comparatively new material. Alienation of art, in particular the "breaking out" of the anthropological contexts (Ortega), makes the phenomenon of the crisis becomes a permanent condition. In this condition may lead to a triumphant climax of iconolatry, where the "icon" - a sign - it becomes everything that can be considered as marked by the Idea of Beauty. In this orientation primed category works of art - is a precondition parasacral item, regardless of the its kind. At the expense of this new iconolatry and related forms of education is a systematic decrease in the number of recipients. This phenomenon is institutionally sanctioned by the recognition of "high culture" as the phenomenon of "niche".

Keywords

EN

ART; CONEMPORARY ART; MUSIC; VISUAL ART; INTERPRETATION; CRISIS

• Publisher: Polska Akademia Umiejętności / Uniwersytet Jagielloński
• Journal: Kwartalnik Filozoficzny
• Year: 2011
• Volume: 39
• Issue: 3
• Pages: 19-34

Contributors

author

Romana Kolarzowa

• Instyty Filozofii Uniwersytet Rzeszowski, ul. Rejtana 16 c, 35-959 Rzeszów, Poland