BASSANI – BRENTNER – VILLICUS: HUDEBNÍ REPERTOÁR DVOU RUKOPISNÝCH SBORNÍKŮ Z PIARISTICKÉHO KLÁŠTERA V PODOLÍNCI

• Authors: Václav Kapsa

Title variants

EN

Bassani – Brentner – Villicus: the musical repertoire of the two manuscript collections from the Piarist monastery in Podolínec

• Languages of publication: CS

Abstracts

EN

The article is concerned with the two manuscripts containing anonymous solo motets and sacred arias preserved in the musical collection of the Piarist monastery in Podolínec under the shelf-marks H-669 and H-1001. In both instances only some part-books are extant and the composers were identified only exceptionally. On the basis of his preceding research and new comparison, the present author makes the attribution of works more precise: the first collection is compiled mainly from works by J. J. I. Brentner and includes, among other things, a transcription of the printed collection Hymnodia divina op. 3 (Prag 1718/19). Tree style layers are included in the second collection and represented by solo motets of Italian origin (G. B. Bassani, F. A. Bonporti, Anonym), a transcription of a collection of arias by B. Villicus, and an aria (with new Latin text) by N. Piccini, provide material for reflection on the possible directions of further research into style evolution in the solo motet in central Europe in the first third of the 18th century.

Keywords

EN

BAROQUE MUSIC; SOLO MOTET; ARIAS; CANTATAS; BRENTNER JAN J. I.; BASSANI GIOVANNI B.; VILLICUS; PIARISTS; SLOVAKIA

• Publisher: Institute of Musicology, Slovak Academy of Sciences; VEDA, Publishing House of the Slovak Academy of Sciences
• Journal: Musicologica Slovaca
• Year: 2012
• Volume: 3 (29)
• Issue: 2
• Pages: 195 – 215

Contributors

author

Václav Kapsa

• Kabinet hudební historie Etnologického ústavu AV ČR, v.v.i., Puškinovo nám. 447/9, 160 00 Praha 6, Czech Republic