Joseph von Eichendorff phänomenologisch gelesen. Eine Annäherung an den Heimatbegriff in der Lyrik Joseph von Eichendorffs im Kontext Roman Ingardens Konzepts des literarischen Kunstwerks
JOSEPH VON EICHENDORFF IN A PHENOMENOLOGICAL PERSPECTIVE. A CLOSER VIEW AT THE CONCEPT OF HOMELAND IN EICHENDORFF’S LYRIC POETRY IN THE CONTEXT OF ROMAN INGARDEN’S THEORY OF THE LITERARY WORK OF ART
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The article deals with the poetry of Joseph von Eichendorff and its interpretation from the phenomenological point of view. It aims to discuss and review the common interpretation that reads Eichendorff’s poetry in relation to the notion of homeland in the narrow meaning of this concept in order to demonstrate that his writing holds a much more universal character and can be interpreted in various ways. The proposed re-reading of Joseph von Eichendorff’s poetry emphases its interpretative ambiguity and indicates as well that the literary works – even those of the literary canon – allow new variants of reading.
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