The article presents the analysis of the means of “odyvnennia verging on being absurd” of the form and content of the most well-known Ukrainian Diaspora playwright Ihor Kostetskiy’s (1913–1984) play ”The Twins will Meet One Day” (1947). It was established that the formal-semantic organization of the “dramatic work” text type is deformed to a great extent. First of all, these are communicative-lingual actions of the “presenter” in the prologue and interlude of the play. Communicative actions of the heroes of the play in a number of cases break the rules, conventions and maxims of confl ict free communication. Besides, the author introduces mystical elements in a quite realistic content of the play.