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Languages of publication
Abstracts
Michael Maier's alchemic treatise Atalanta fugiens (1617) is an emblematic book containing 50 three-part musical compositions. Each of them has a form of a two-part canon based on a fixed cantus firmus. These compositions constitute a musical equivalent of the content of particular engravings and of both poetic and prose texts. The originality of these compositions consists in a conceptual union of the word and the image with its musical notation, and particularly with the elements of notation and compositional techniques which are used in polyphony. From the artistic and aesthetic perspective, Maier's works are lacking in originality and are of little value, but they are an important example of an hermetic way of thinking and of philosophy of life.
Discipline
Publisher
Journal
Year
Issue
Pages
5-40
Physical description
Document type
ARTICLE
Contributors
author
- Tomasz Jaglowski
References
Document Type
Publication order reference
Identifiers
CEJSH db identifier
11PLAAAA097626
YADDA identifier
bwmeta1.element.d732bd2f-9d69-3e6f-9c4a-645294040be6