PL EN


Journal
2013 | 12(19) | 121-131
Article title

Home Movies as Everyday Media Histories. Approaching Home Made Imagery in the Age of New Media

Content
Title variants
PL
Home movies jako codzienne historie zmediatyzowane. Badanie obrazów powstałych w warunkach domowych w dobie nowych mediów
Languages of publication
EN
Abstracts
EN
The author presents methodological concept devoted to studies of home movies. She combines in an original way broad range of discourses. For example she utilizes André Gaudreault’s and Philippe Marion’s studies on the genealogy of media, the concept of intermediality, media convergence, theory of remediation and researches on media domestication. This medium-focused perspective convincingly links together social and technological history – studies on “the history of the media-shaping man and the user-shaping media”.
PL
W swoim artykule autorka prezentuje koncept metodologiczny służący analizie prywatnych filmów (home movies). W oryginalny sposób łączy perspektywę genealogii mediów André Gaudreault i Philippe Marion, sięga po refleksję nad intermedialnością i konwergencją mediów, wykorzystuje też teorię remediacji i badania nad oswajaniem praktyk medialnych (media domestication researches). Perspektywa autorki, skoncentrowana na kategorii medium, pozwala jej w przekonujący sposób połączyć historię społeczną i historię technologii, badanie „historii mediów kształtujących człowieka i badanie użytkownika kształtującego medium”.
Journal
Year
Issue
Pages
121-131
Physical description
Contributors
  • Sapientia Hungarian University of Transylvania
References
  • Forgács Péter. 1995. The Archeology of Home Movie, Our Life is a Language of Signs.
  • Belting Hans. 2005. "Image, Medium, Body: A New Approach to Iconology". Critical Inquiry 31 (2): 302-319.
  • Gaudreault André, Marion Philippe. 2002. "The Cinema as a Model for the Genealogy of Media". Convergence 8 (4): 12.
  • Bolter Jay David, Gruisin Richard. 1998. Remediation: Understanding New Media, Cambridge: MIT Press.
  • Manovich Lev. 2001. The Language of New Media. Massachussets: MIT Press.
  • Jenkins Henry. 2006. Convergence Culture. Where Old and New Media Collide. New York: New York University Press.
  • Rodowick D. N. 2007. The Virtual Life of Film. Boston: Harvard University Press.
  • Moran James. 2002. There’s no Place like Home Video. Minnessota: University of Minnesota Press.
  • Belting Hans. 2005. "Image, Medium, Body. A New Approach to Iconology". Critical Inquiry 31 (2): 302–319.
  • Blos-Jáni Melinda. 2012. "The Nomads of Media- and Family Histories. Rethinking the Home Movie/Video in the Age of User-Generated Content". Acta Universitatis Sapientiae. Film and Media Studies 5: 21−34.
  • Bolter Jay David, Grusin Richard. 1998. Remediation: Understanding New Media. Cambridge, Massachusetts:MIT Press.
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  • van Dijck José. 2007. Mediated Memories in the Digital Age (Cultural Memory in the Present Series). Stanford: Stanford University Press.
  • Doane Mary-Ann. 2002. The Emergence of Cinematic Time: Modernity, Contingency, the Archive. Cambridge: Harvard University Press.
  • Forgács Péter. 1995. A családi mozi archeológiája. In kapitány Ágnes–kapitány Gábor. Budapest: Osiris.
  • Gaudreault André, Marion Philippe. 2002. "The Cinema as a Model for the Genealogy of Media". Convergence 8 (12): 12–18.
  • Gunning Tom. 1986. "The Cinema of Attractions: Early Film, Its Spectator and the Avant-Garde". Wide Angle 8 (3 –4): 63–70.
  • Hymes Dell. 1967. The Anthropology of Communication. W Human Communication Theory: Original essays, s. 1–39. Holt, Rinehart & Winston.
  • Jenkins Henry. 2006. Convergence Culture: Where Old and New Media Collide. New York, London: New York University Press.
  • Manovich Lev. 2001. The Language of New Media. Cambridge-London: MIT Press, Cambridge.
  • Manovich Lev. 2009. "The Practice of Everyday (Media) Life". Critical Inquiry 35 (2): 319–331.
  • Moran James. 2002. There’s No Place Like Home Video. Minneapolis: University of Minnesota Press.
  • Odin Roger. 2008. Reflections on the Family Home Movie as a Document: a Semio-Pragmatic Approach. W Mining the Home Movie. Excavations in Histories and Memories, s. 255–271. University of California Press.
  • Rieffel Rémy. 2008. Sociologia mass-media. Iaşi: Polirom.
  • Rodowick David N. 2007. The Virtual Life of Film. Cambridge: Harvard University Press.
Document Type
Publication order reference
Identifiers
YADDA identifier
bwmeta1.element.desklight-030e8b6c-301d-42b1-864f-b3f7f4f533ac
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