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2018 | 2 | 263-274
Article title

Саамский театр из Каутокейно: тропами номад

Authors
Content
Title variants
EN
The Sami Theatre from Kauotokeino: On the Trace of Nomads
Languages of publication
RU
Abstracts
EN
Beaivváš Sámi Našunálateáhter from Kautokeino (Norway) is an institutional theatre with Sami (Lappish) as the main stage language. Sami institutional theatres in Scandinavia have a relatively brief history which reflects the tension between the Sami people’s sociopolitical aspirations and Sami theatre artists’ freedom of expression. The theatre from Kautokeino is based upon a robust tradition (e.g. such pre-theatrical modes as the yoik, the art of storytelling, the shamanistic séance), and at the same time it is open to impulses from other cultures and theatrical traditions (both European and non-European). The article takes its point of departure in a postmodern concept of nomadism (Deleuze, Guattari, Braidotti, Islam). It focuses on the nomadic as the impetus and the driving force behind the Beaivváš Sámi Našunálateáhter. The nomadic, however, is understood not only as a reference to the Sami cultural heritage, but as an artistic practice based upon the reaction against aesthetically, historically, politically and socially rigid intellectual patterns. The practice is manifested, inter alia, in transgressions of established genres and aesthetic categories, multilingualism and cultural interferences.
Year
Volume
2
Pages
263-274
Physical description
Dates
published
2018-11-30
Contributors
References
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Document Type
Publication order reference
Identifiers
ISSN
2081-1128
YADDA identifier
bwmeta1.element.desklight-039e3ada-fda6-490c-9e97-f42e59ef1cf3
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