Witkiewicz’s Theory of Pure Form and the Music of Morton Feldman

• Authors: Barlow John D.
• Languages of publication: EN

Abstracts

EN

In this paper I discuss how “pure form” applies to the music of composer Morton Feldman. Starting from Witkiewicz’s idea that music is the purest form of art, I discuss his speculations on the “heightened metaphysical feeling” that results from aesthetic experience. I also look at Witkiewicz’s rejection of sentimental music. I then take up the conditions of music in our time, where music is used as light entertainment. This exemplifies Witkiewicz’s fears about the use of art as a distraction to keep people happy. I then examine the music of Feldman as an antidote to these trends. His music conveys a sense of a flat surface upon which the attention of listeners drifts contemplatively with the music, experiencing it as an end in itself. I try to show how his music affects listeners at the core of their being and gives them a sense of unity in the midst of the multiplicity of everyday life.

Keywords

EN

music; composer; Morton Feldman; Witkacy; Stanisław Ignacy Witkiewicz; “pure form”

• Publisher: Instytut Filozofii - Uniwersytet Jagielloński
• Journal: Estetyka i Krytyka
• Year: 2013
• Issue: 4(31)
• Pages: 109-120

Dates

published

2013

Contributors

author

Barlow John D.

• Indiana University (Indianapolis)

Identifiers

ISSN

1643-1243