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2016 | 6 | 65-73
Article title

Cris des cœurs de Jean-Victor Pellerin, exemple d’une pièce hybride

Content
Title variants
EN
Cris des cœurs by Jean-Victor Pellerin, as an exemple of hybrid play
Languages of publication
FR
Abstracts
EN
Cris des cœurs by Jean-Victor Pellerin consists of the three parts, each of them corresponds to a different genre: melodrama, tragedy and misterium. Rejecting the reality, the writer resignes also from the scene’s materiality what leads him as a consequence to the deconstruction of the space-time’s categories. Traditional drama’s division on act and scenes is replaced by the loose images (tableaux) where the dreamy visions mingle with reality. Puting the pressure on oniric dimension of a play, the playwright prepares the area for a break of characters who moving in a hostile and an unspecified world without the laws of physics, get going in quest for the lost identity. Breaking the unity of action and psychological consistency of a character, Pellerin presents the crisis of a temporary human being, moreover by using heterogenic forms, he shows this crisis in ist best.
Contributors
  • Université de Łódź Pologne
References
  • Du Gard M. M. 1932. Soirées de Paris, le théâtre et la vie. Paris. Flammarion.
  • Pellerin J.-V. 1928. Cris des cœurs. Masques, douzième cahier.
  • Plana M. 2004. Roman, théâtre, cinéma. Adaptations,hybridations et dialogues des arts. Rosny-sous-Bois. Bréal.
  • Pruner M. 2001. L’analyse du texte de théâtre. Paris. Nathan.
  • Vinaver M. 1993. Écritures dramatiques. Essais d’analyse de textes de théâtre. Arles. Actes Sud. coll. « Répliques ».
Document Type
Publication order reference
Identifiers
YADDA identifier
bwmeta1.element.desklight-0605f727-ccc1-41e8-a9b0-097976d61628
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