Cris des cœurs de Jean-Victor Pellerin, exemple d’une pièce hybride

• Authors: Kaczmarek Tomasz

Title variants

EN

Cris des cœurs by Jean-Victor Pellerin, as an exemple of hybrid play

• Languages of publication: FR

Abstracts

EN

Cris des cœurs by Jean-Victor Pellerin consists of the three parts, each of them corresponds to a different genre: melodrama, tragedy and misterium. Rejecting the reality, the writer resignes also from the scene’s materiality what leads him as a consequence to the deconstruction of the space-time’s categories. Traditional drama’s division on act and scenes is replaced by the loose images (tableaux) where the dreamy visions mingle with reality. Puting the pressure on oniric dimension of a play, the playwright prepares the area for a break of characters who moving in a hostile and an unspecified world without the laws of physics, get going in quest for the lost identity. Breaking the unity of action and psychological consistency of a character, Pellerin presents the crisis of a temporary human being, moreover by using heterogenic forms, he shows this crisis in ist best.

Keywords

EN

Jean-Victor Pellerin; hybrid; tableau; expressionism; character

• Publisher: Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
• Journal: Quêtes littéraires
• Year: 2016
• Issue: 6
• Pages: 65-73

Contributors

author

Kaczmarek Tomasz

• Université de Łódź Pologne

References

• Du Gard M. M. 1932. Soirées de Paris, le théâtre et la vie. Paris. Flammarion.
• Pellerin J.-V. 1928. Cris des cœurs. Masques, douzième cahier.
• Plana M. 2004. Roman, théâtre, cinéma. Adaptations,hybridations et dialogues des arts. Rosny-sous-Bois. Bréal.
• Pruner M. 2001. L’analyse du texte de théâtre. Paris. Nathan.
• Vinaver M. 1993. Écritures dramatiques. Essais d’analyse de textes de théâtre. Arles. Actes Sud. coll. « Répliques ».

Identifiers

DOI

10.31743/ql.213