PL EN


2014 | 68 | 3-4(306-307) | 123-134
Article title

Ocalone w montażu. Obraz, empatia i przeciw-historia w Austerlitz W.G. Sebalda

Title variants
EN
Saved in Montage. Image, Empathy and Counter-history in Austerlitz by W.G. Sebald
Languages of publication
PL
Abstracts
EN
This attempted analysis focuses on the motif of empathy in the oeuvre of W. G. Sebald from the historical perspective and within the context of relations between the text and the image in Austerlitz. The argument is based on a fragment in which the titular protagonist, seeking an image of his mother, comes across a Nazi propaganda film made in the Theresienstadt ghetto at the end of the war. Apparently, the path towards an empathetic encounter with one’s past and the traumatic history of Europe leads across montage, in which observed images become rendered as problems and salvaged.
Keywords
Year
Volume
68
Issue
Pages
123-134
Physical description
Contributors
References
Document Type
Publication order reference
Identifiers
YADDA identifier
bwmeta1.element.desklight-06c49b57-c671-4900-992e-0e50d870c4e0
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.