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2016 | 25/1 | 109-123

Article title

The Petty Theft of Fiction – V. S. Pritchett and the Moderate Short Story

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Abstracts

The article presents the most important formal and thematic characteristics of V. S. Pritchett’s short stories, and attempts to provide an analytical paradigm for what seems to be an original form of social realist short fiction. By analysing themes (crime, above all others), characterisation, eventfulness, and rhetorical closures of selected stories, the author of this article draws attention to the importance of stasis and recalcitrance in the texts, and aims to address the problem of the relative neglect V. S. Pritchett’s short fiction has suffered from in the critical debates of the last few decades.

Contributors

References

  • Allen, Walter. 1981. The Short Story in English. Oxford: Clarendon Press.
  • Baldwin, Dean. 1987. V. S. Pritchett. Boston, MA: Twayne Publishers.
  • Baldwin, Dean. 1993. Review of V. S. Pritchett: A Study of the Short Fiction by John J. Stinson. Studies in Short Fiction 30. 3: 429–431.
  • Bloom, Jonathan. 2007. The Art of Revision in the Short Stories of V. S. Pritchett and William Trevor. New York: Palgrave Macmillan.
  • Current-García, Eugene, and R. Patrick Walton. 1961. What is the Short Story? Case Studies in the Development of a Literary Form. Chicago: Scott, Foresman.
  • Ferguson, Suzanne C. 1988. “Defining the Short Story: Impressionism and Form.” Essentials of the Theory of Fiction. Ed. M. J. Hoffman and P. D. Murphy. Durham: Duke University Press. 457–471. 122.
  • Gąsiorek, Andrzej. 2008. “The Short Fiction of V. S. Pritchett.” A Companion to the British and Irish Short Story. Ed. Cheryl Alexander Malcolm and David Malcolm. Oxford: Wiley-Blackwell. 165–173.
  • Hanson, Clare. 1985. Short Stories and Short Fictions 1880–1980. London: Macmillan.
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  • Henderson, David W. 1991. Review of Complete Collected Stories by V. S. Pritchett. Library Journal. 155.
  • Hollenberg, Alexander. 2012. “Recalcitrant Simplicity: Thin Characters and Thick Narration in A Farewell to Arms.” Narrative. 20. 3: 301–321.
  • Hühn, Peter: “Event and Eventfulness.” The living handbook of narratology. Ed. Hühn, Peter et al. Hamburg: Hamburg University. http://www.lhn.uni-hamburg .de/article/event-and-eventfulness.
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  • Kiely, Robert. 1982. “A Writer Who Trusts His Readers.” New York Times Book Review. 30: 5–6. Online edition. http://www.nytimes.com/1982/05/30/books/awriter-who-trusts-his-readers.html
  • Liggins, Emma, Andrew Maunder and Ruth Robbins, eds. 2011. The British Short Story. New York: Palgrave Macmillan.
  • Lohafer, Susan. 1985. Coming to Terms with the Short Story. Baton Rouge: Louisiana State University Press.
  • Lyall, Sarah. 1997. “V.S. Pritchett, Master of the Short Story and Literary Criticism, is Dead at 96.” The New York Times (22 March). http://www.nytimes .com/1997/03/22/books/vspritchett-master-of-the-short-story-and-literary-criticism-is-dead-at-96.html.
  • Malcolm, David. 2012. The British and Irish Short Story Handbook. Oxford: Wiley-Blackwell.
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  • Poe, Edgar Allan. 1984. “Twice-Told Tales by Nathaniel Hawthorne.” Essays and Reviews. New York: Library of America. 569–577. Pritchett, Victor S. 1966. “The Short Story.” London Magazine 6. 6: 6–8.
  • Pritchett, Victor S. 1990. Complete Collected Stories. New York: Random House.
  • Reid, B. L. 1977. “Putting in the Self: V. S. Pritchett.” The Sewanee Review 85. 2: 262–285.
  • Reid, Ian. 1984. The Short Story. London: Methuen.
  • Stinson, John. 1992. V. S. Pritchett. A Study of the Short Fiction. New York: Twayne Publishers.
  • Todorov, Tsvetan. 2000. “The Typology of Detective Fiction.” The Narrative Reader. Ed. Martin McQuillan. London: Routledge. 120–127.
  • Treglown, Jeremy. 2005. V.S. Pritchett: A Working Life. London: Pimlico.
  • Trevor, William. 1982. “Pritchett Proclaimed.” Review of Collected Stories. New Republic 2: 30–32.
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  • Wojtyna, Miłosz. 2015. The Ordinary and the Short Story: Short Fiction of T. F. Powys and V. S. Pritchett. Berlin: Peter Lang.
  • Wright, Austin M. 1989. “Recalcitrance in the Short Story.” Short Story Theory at a Crossroads. Ed. Susan Lohafer and Jo Ellyn Clarey. Baton Rouge: Louisiana State University Press. 115–129.

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Publication order reference

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