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2018 | 2 | 4(6) | 14–26

Article title

The Technology of the Cute Body

Authors

Content

Title variants

Languages of publication

EN

Abstracts

EN
This article considers the appeal of the cute body and its ambiguous relationship with the lovable. While cuteness is an aesthetic that is subjectively determined and expressed, it can also embellish a body with features that are standardized by systems of commodification. The cute body possesses a diminutive and vulnerable charm, but it is also an object that is augmented to solicit the subject’s love and control. Hence, the aesthetic of cuteness may seem to disempower the object, but it is likewise, an acute seduction that bears witness to the craft or technē that captures the subject. Developing a framework for cuteness as a stylistic device or technology embedded in the subject-object relationship, the article argues that the qualities and experience of the lovable constitute a condition of the affected subject, who must bear the paradox of embracing and effacing the object’s difference.

Keywords

Year

Volume

2

Issue

Pages

14–26

Physical description

Dates

published
2018-12-28

Contributors

author
  • Singapore University of Social Sciences

References

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  • Baudrillard, Jean. Seduction. Translated by Brian Singer. New York: St. Martin’s Press, 1990. Dennett, Daniel C. The Intentional Stance. Cambridge MA: MIT Press, 1987.
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  • Ellul, Jacques. The Technological Society. Translated by John Wilkinson. New York: Vintage, 1964.
  • Galbraith, Patrick W. “Lolicon: The Reality of Virtual Child Pornography in Japan.” Image & Narrative 12, no. 1 (2011): 83-119.
  • Genosko, Gary. “Natures and Cultures of Cuteness.” Visible Culture: An Electronic Journal for Visual Culture 9 (2005), http://ivc.lib.rochester.edu/natures-and-cultures-of-cuteness/.
  • Gn, Joel. “Designing Affection: On the Curious Case of Machine Cuteness.” In The Aesthetics and Affects of Cuteness, edited by Joshua Paul Dale, Joyce Goggin, Julia Leyda, Anthony P. McIntyre and Diane Negra, 175–193. London: Routledge, 2017.
  • Gould, Stephen Jay. The Panda’s Thumb: More Reflections in Natural History. London and New York: W.W. Norton and Company, 1980.
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  • Kinsella, Sharon. “Cuties in Japan.” In Women, Media and Consumption in Japan, edited by Lise Skov and Brian Moeran, 220–254. Honolulu: University of Hawaii Press, 1995.
  • McVeigh, Brian J. “How Hello Kitty Commodifies the Cute, Cool and Camp: ‘Consumutopia’ Versus ‘Control’ in Japan.” Journal of Material Culture 5, no. 2 (2000): 225–254.
  • Morreall, John. “Cuteness.” British Journal of Aesthetics 31, no. 1 (1991): 39–47.
  • Ngai, Sianne. “The Cuteness of The Avant Garde.”’ Critical Inquiry 31, no. 4 (2005): 811–847.
  • Ricoeur, Paul. “Metaphor and the Main Problem of Hermeneutics.” New Literary History 6, no. 1 (1974): 95–110.
  • Sherman, Gary D., and Jonathan Haidt. “Cuteness and Disgust: The Humanising and Dehumanising Effects of Emotion.” Emotion Review 3, no. 3 (2011): 245–251.
  • Steinberg, Marc. Anime’s Media Mix: Franchising Toys and Characters in Japan. Minneapolis: University of Minnesota Press, 2012.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.desklight-0b3843cd-a7d7-4f7f-bdae-6505af3d7f83
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