PL EN


2009 | 4(14) | 72-90
Article title

Autobiografia jako źródło kreacji, czyli konfesyjna sztuka Tracey Emin.

Content
Title variants
EN
Autobiography as a source of creation or confessional art of Tracey Emin.
Languages of publication
PL
Abstracts
EN
Introspective art of Tracey Emin is a journey through her peculiar, intimate world where childhood memories intermingle with the experiences of a grown-up woman who is one of the most popular contemporary British artists. Her work, placed between two poles: publicity and high culture, constantly evokes contradictory opinions on making privacy public, exhibitionism in art and female confession going far beyond the frames of social norms establishing female sexuality, carnality and sensuality. Balancing between subtleness and vulgarity, beauty and ugliness, scream and silence, Emin preserves all her personalities in her works that lead a dialogue with traditional media and search new paths amidst conventions and stylistics of art and crafts history.
Year
Issue
Pages
72-90
Physical description
artykuł
Dates
published
2009
References
  • R. Betterton, Why is my art not as good as me? Femininity, Feminism and ‘Life–Drawing’ in Tracey Emin’s Art, [w:] The Art of Tracey Emin, red. M. Merck, Ch. Townsend, London, 2002
  • G. Muir, Lucas and Emin, ‘Frieze’, May 1993
  • P. Leszkowicz, [w:] Helen Chadwick: ikonografia podmiotowości, Kraków 2001
  • D. Littleton, Private View, ‘Time Out’, 1-8 December, 1993
  • H.Jaxa-Rożen,Opowiadanie ciałem. Kilka uwag o współczesnej poezji kobiecej, [w:] Narracje – (Auto)biografia – Etyka, red. L. Kochanowicz, R. Nahirny, R. Włodar- czyk, Wrocław 2005
  • E. Gieysztor-Miłobędzka, Życie artysty – Tło kulturowe, [w:] Życie artysty. Problemy biografiki artystycznej. Materiały Seminarium Metodolo- gicznego Stowarzyszenia Historyków Sztuki, red. M. Poprzęcka. Nieborów, 1994
Notes
PL
Document Type
Publication order reference
Identifiers
YADDA identifier
bwmeta1.element.desklight-0c563c6a-0f3c-4c49-9cb1-bf9bc44e6949
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