Трактовка музыки оратории «Страсти по Матфею» митрополита Илариона (Алфеева) в фильме Павла Семеновича Лунгина «Дирижер»

• Authors: Zaytseva Marina

Title variants

EN

Interpretation of the oratorio music "St. Matthew Passion" by the Metropolitan Hilarion (Alfeev) in Pavel Semenovich Lungin's film "The Conductor"

• Languages of publication: RU

Abstracts

RU

В статье научно обосновано значение мессы в истории развития музыкального искусства. Рассмотрены генезис мессы и ее развитие в качестве ведущего духовного вокально-хорового жанра эпохи европейского Средневековья и Возрождения. Выявлены особенности композиции и музыкального языка оратории «Страсти по Матфею» митрополита Илариона. Доказано, что на формирование логики интонационного развития, композиционных и гармонических решений оратории оказали воздействие традиции западноевропейской музыки. Факторами влияния являются образы, темы и художественные приемы, которые взяты из византийского и русского церковных богослужений. Анализ музыки фильма П. Лунгина «Дирижер» выявил важное значение оратории «Страсти по Матфею» митрополита Илариона для понимания смысла произведения. Взаимодействие визуального и аудиального аспектов приводит к полифонии смыслов. Эта полифония обогащает понимание художественного произведения.

EN

The article scientifically substantiates the value of the mass in the history of musical art. Genesis of the mass and its development as a leading spiritual vocal and choral genre of the European middle Ages and Renaissance are considered. The peculiarities of composition and musical language of the oratorio «St. Matthew Passion» by Metropolitan Hilarion are identified. It is proved that the formation of the logic of melodic development, composition and harmonic solutions of the oratorio has been influenced by the traditions of Western music. Factors here are the images, themes, and artistic techniques, which are taken from the Byzantine and Russian Church services. Analysis of music of Pavel Lungin's “The Conductor” has revealed the importance of the oratorio “St. Matthew Passion” by Metropolitan Hilarion to understand the meaning of the work. The interaction of the visual and auditory aspects leads to a polyphony of meanings. This polyphony enriches the understanding of works of art.

Keywords

RU

музыка; духовная музыка; киноискусство; митрополит Иларион; восприятие

EN

music; spiritual music; cinema; Metropolit Ilarion; perception

• Publisher: Altezoro s.r.o. (Slovak Republic) and Publishing Center "Dialog" (Ukraine)
• Journal: Path of Science
• Year: 2016
• Volume: 2
• Issue: 7(12)
• Pages: 4.1-4.18

Dates

published

2016-07-31

Contributors

author

Zaytseva Marina

References

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Identifiers

URI

http://pathofscience.org/index.php/ps/article/view/202