Kiedy malowidło staje się obrazem?

• Authors: Salwa Mateusz

Title variants

EN

When Paint Starts to Represent

• Languages of publication: PL

Abstracts

EN

The author argues that art history, while analyzing painting, mainly representational one, disregards the „moment” which is constituting for this genre of art, i.e. the point in which the physical ground „turns into” the representent world. This point can be called „no man’s land” and can be located only if it is seen from the two opposite poles that are split by it, i.e. either if it is seen from iconographical perspective or from the formalist one. An art historian who wishes to avoid onesidedness.

Keywords

EN

art history; painting; physical ground; representation

• Publisher: Instytut Filozofii - Uniwersytet Jagielloński
• Journal: Estetyka i Krytyka
• Year: 2009
• Issue: 15-16
• Pages: 181-189

Dates

published

2008–2009

Contributors

author

Salwa Mateusz

• Uniwersytetu Warszawski

Identifiers

ISSN

1643-1243