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Journal

2019 | 2: Re-konstruktywizm | 76-85

Article title

Obraz światła i obraz danych. Śladami fotografii konkretnej

Content

Title variants

EN
Light Image and Data Image. Traces of Concrete Photography

Languages of publication

PL

Abstracts

EN
The article actually represents an excerpt of the author’s text for exhibition and catalogue with the same name for the Art Museum Würzburg (Museum im Kulturspeicher), Germany [38]. The show was held from March 13th up to May 31th, 2015. Already ten years before, in 2005, this Museum featured an exhibition and published the first book entiteled "Concrete Photography" [39]. Based on Peter C. Ruppert collection "Concrete Art in Europe after 1945" with its unique collection of concrete photographs, the exhibition and book coined a term which has since been taken up and discussed in the theory of photography: Concrete Photography as a form of non-representational photography in which the medium itself moves away from its classical role of representing the external world to take on a self-reflective role. The present project follows this line and discusses the question of concrete photography in the digital age.

Keywords

Journal

Year

Pages

76-85

Physical description

Contributors

  • Uniwersytet Nauk Stosowanych (Fachhochschule) w Bielefeld

References

Document Type

Publication order reference

Identifiers

ISSN
2657-652X

YADDA identifier

bwmeta1.element.desklight-1485b0be-7609-47af-93eb-c028c128698f
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