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2020 | 4 | 1 | 49-56

Article title

The Images to Come: On Showing the Future without Losing One’s Head

Authors

Content

Title variants

Languages of publication

EN

Abstracts

EN
The paper discusses the possibility of a cinematic image which represents future catastrophes, while avoiding ideological entrapments and self-serving fantasies. Taking a Japanese ghost story and a brief note by Walter Benjamin as his dual starting point, the author first attempts to define the possible dangers inherent to the very idea of showing the future, the most important being the danger of the premature, cathartic discharge of the spectator’s anxiety in a sadistic/voyeuristic show. After discussion of the mechanisms of this discharge, the author offers an analysis of a positive example, namely Michael Haneke’s Time of the Wolf. According to the analysis, Haneke manages to avoid the traps by constructing reflective images that make the spectators watch themselves as they are searching in vain for the cathartic images of the catastrophe.

Year

Volume

4

Issue

1

Pages

49-56

Physical description

Dates

published
2020-04-15

Contributors

author
  • Institute of Philosophy and Sociology, Polish Academy of Sciences

References

  • Lafcadio, Hearn. Kwaidan: Ghost Stories and Strange Tales of Old Japan. Mineola, NY: Dover Publications, 2006.
  • Benjamin, Walter. “One-Way Street.” In Walter Benjamin: Selected Writings, 1: 1913-1926. Edited by Marcus Bullock, Michael W. Jennings, and translated by Edmund Jephcott, 482-483. Cambridge, Massachusetts: The Belknap Press of Harvard University Press, 1996.
  • Nietzsche, Friedrich. “On the Uses and Disadvantages.” In Untimely Meditations. Edited by Daniel Breazeale, and translated by Reginald J. Hollingdale. Cambridge: Cambridge University Press, 1997.
  • Scholem, Gershom. “The Tradition of the Thirty-Six Hidden Just Men.” Translated by Michael A. Meyer. In The Messianic Idea in Judaism and Other Essays on Jewish Spirituality. New York: Schocken Books, 1995.
  • Didi-Huberman, Georges. Images In Spite of All: Four Photographs from Auschwitz. Translated by Shane B. Lillis. Chicago: The Chicago University Press, 2008.

Document Type

Publication order reference

YADDA identifier

bwmeta1.element.desklight-17dc3e52-1d10-4586-b316-157414a616cd
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