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2014 | 1-2 | 61-76

Article title

Muzyka klasyczna w Imperium Osmańskim

Authors

Content

Title variants

EN
European Classical Music in the Ottoman Empire

Languages of publication

PL EN

Abstracts

EN
This paper aims to present a historical overview of the westernization process in music culture of the Ottoman Empire. Contrary to what is generally believed, the transformation of Ottoman music from the monophonic system based on melodic and rhythmic patterns (makams and usuls) to the European polyphony was not the idea of the newly formed Turkish state of the early 20th century. In the beginning of the 19th century, the Ottoman Empire faced decline. Under the threat of European domination, remaining sultans tried to balance the level of development in science and technology between the West and their own country by great reforms. In the 19th century, for the Ottoman court the adaptation of the western music system was a symbol of acculturation and modernization. In the last decades of the Ottoman Empire, with the help of European musicans and theoreticians, the first institutions of western style music education were established. Thus, surprisingly, music culture seems to be a shared heritage of the Ottoman Empire and the Republic of Turkey.

Year

Issue

1-2

Pages

61-76

Physical description

Contributors

author
  • Uniwersytet Jagielloński

References

  • Aracı Emre., Franz Liszt İstanbul'da..., „Cumhuriyet Pazar Dergi Eki” 2000, nr 738, s. 12–13.
  • Aracı Emre, Giuseppe Donizetti at the Ottoman Court: A Levantine Life, „The Musical Times” 2002, t. 143, nr 1880, s. 49–56.
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  • Ayangil Ruhi, Western Notation in Turkish Music, „Journal of the Asiatic Society of Great Britain & Ireland” 2008, nr 18, s. 401–447.
  • Behar Cem, Musıkiden Müziğe. Osmanlı/Türk Müziği: Gelenek ve Modernik, Yapı Kredi Yayınları, İstanbul 2008.
  • Eğecioğlu Ömer, The Liszt-Listmann Incident, „Studia Musicologica Hungarica” 2008, nr 49/3-4, s. 1–19.
  • Komsuoğlu Ayşegül, Turan Namık Sinan, From Empire to the Republic: the Western Music Tradition and the Perception of Opera, „International Journal of Turcologia” 2007, t. II, nr 3, s. 5–29.
  • Kutlay-Baydar Evren, Bach ve Buffardin'in İstanbul buluşmasına Türk müzik tarihi bağlamında bakış, „Zeitschrift für die Welt der Türken” 2010, t. 2, nr 2, s. 43–52.
  • Kutlay-Baydar Evren, Osmanlıda görevli iki İtalyan Müzisyen: Giuseppe Donizetti ve Callisto Guatelli, „Zeitschrift für die Welt der Türken” 2010, t. 2, nr 1, s. 283–293.
  • Signell Karl, The Modernization Process in Two Oriental Music Cultures: Turkish and Japanese, „Asian Music” 1976, t. 7, nr 2, s. 72–102.
  • Yöre Seyit, Kültürleşmenin bir parçası olarak Osmanlı'da operanın görünümü, „Zeitschrift für die Welt der Türken” 2001, t. 3, nr 2, s. 53–69.
  • Yöre Seyit, Osmanlı/Türk Müzik Kültüründe Levanten Müzikçiler, „Türkiyat Araştırmaları Dergisi” 2008, nr 24, s. 413–437.
  • Żerańska-Kominek Sławomira, Symbole czasu i przestrzeni w muzyce Azji Centralnej, PWM, Kraków 1987.
  • http://www.turkishmusicportal.org/article.php?id=6&lang2=tr [18.04.2014]
  • http://www.turkishmusicportal.org/article.php?id=7&lang2=tr [18.04.2014]
  • http://www.turkishmusicportal.org/article.php?id=12&lang2=tr [18.04.2014]

Document Type

Publication order reference

Identifiers

ISSN
0033-2283

YADDA identifier

bwmeta1.element.desklight-19a890a5-685c-447f-8b5a-b90e1bc13dbe
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