PL EN


2015 | 1(18) | 29-37
Article title

MAGNIFICAT W IKONOGRAFII

Authors
Content
Title variants
EN
„The Magnificat” in Iconography
Languages of publication
PL
Abstracts
EN
The article focuses on the examples of the works of art that invoke associations with „The Magnificat”. The author points to an isolated case of a Botticelli painting, where the link between the Canticle of Mary and the painting itself is verbatim. Bp. Janocha also presents an example of an allegoric representation of „The Magnificat”, analysing the pulpit from the Marian sanctuary in Wambierzyce in Lower Silesia (fig. 9) — the pulpit, made in 1723, is the work of Karol Sebastian Flacker, a woodcarver from Kłodzko.
Year
Issue
Pages
29-37
Physical description
Dates
published
2015-05-04
Contributors
References
  • Krzysztof Stola, Nawiedzenie NMP. Kult, w: Encyklopedia katolicka, t. 13, Lublin 2009.
  • Maria Lechner, Heimsuchung Mariens, Lexikon der christlichen Ikonographie, t. 2, Rom–Freiburg–
  • Basel–Wien 1970.
  • Małgorzata Biernacka, Nawiedzenie, w: Maryja Matka Chrystusa. Ikonografia nowożytnej sztuki kościelnej w Polsce, t. 1, red. Janusz S. Pasierb, Warszawa 1987.
  • Krzysztof Cichoń, Nawiedzenie NMP. Ikonografia, w: Encyklopedia katolicka, t. 13, Lublin 2009.
  • Susanna Buricchi, Galleria degli Uffizi, Firenze 2003.
  • Konstanty Kalinowski, Rzeźba barokowa na Śląsku, Warszawa 1986.
  • Krzysztof R. Mazurski, Wambierzyce, Warszawa 1986.
  • Anna Mitkowska, Wambierzyce, Warszawa–Kraków–Gdańsk–Łódź 1984.
  • Andreas Glöckner, Die Leipziger Neukirchenmusik und das «Kleine Magnificat» BWV Anh. 21, Bach–Jahrbuch 1982.
  • Robert L. Marshall, On the Origin of Bach’s Magnificat. A Lutheran composer’s challenge, w: Bach Studies, Cambridge 1989.
Document Type
Publication order reference
Identifiers
ISSN
1896–3455
YADDA identifier
bwmeta1.element.desklight-21f565ff-d2b5-4bfb-af72-1cd6a23e24ed
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