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2020 | 33 | 23-38

Article title

“Peking Opera Houses” and “Jiqing Opera Exchange” in the Modern Stage Market in China

Authors

Content

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Languages of publication

EN

Abstracts

EN
In the sixth year of the Tongzhi (1867), “Peking Opera Houses” and the “Jiqing Opera Exchange” emerged in Shanghai and Guangdong separately, changing the course of Chinese opera history and marking the emergence of a modern stage market in China. As transaction intermediaries of the market, they had an irreplaceable role and meaning in the development of the Peking Opera and the Cantonese Opera. This study argues that they profoundly reflect the influence of the capitalist market economy on Chinese traditional culture in the early age of globalisation and have an important historical position in the history of the modern stage market in China.

Contributors

author
  • National Institute of Cultural Development at Wuhan University of China.

References

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  • Liao Ben. (2014): History of Chinese Opera. Shanghai. Shanghai People's Publishing House.
  • Lu Ling. (2014): Intermediaries and Drama Performance market: Centering Guangdong “Jiqing Opera Exchange” in the Late Qing and the early Republic. Jianghan Tribune.2014(8), 115-119
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  • Wing Chung Ng. (2015): The Rise of Cantonese Opera. Springfield: University of Illinois Press.
  • Yao min’ai. (1918): History of Chinese Opera,[in] Zhou Jianyun(eds), Chinese

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.desklight-22d676b4-d054-47c8-acc1-7c4efebb1dd9
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