PL EN


2018 | 54 | 2(22): Literatura i Język | 123-129
Article title

IL VALORE DELL’INCONTRO. ALCUNE CONSIDERAZIONI SU THE ARTIST IS PRESENT DI MARINA ABRAMOVIĆ

Title variants
EN
The value of the encounter. Some notes on The Artist Is Present by Marina Abramović
Languages of publication
IT
Abstracts
EN
The purpose of the article is to interpret Marina Abramović’s project – The Artist Is Present – within the theories of liveness and encounter. First of all, we define post-mediatic culture referring to Piotr Celiński’s proposals and the term ‘encounter’ according to Adam Węgrzecki. Finally, we propose some considerations on the encounter as a methodological approach to the phenomena whose main characteristic is liveness (Peggy Phelan and Philip Auslander). Finally, we pass to the analysis of the performance of Marina Abramović The Artist Is Present based on the considerations made previously.
Year
Volume
54
Pages
123-129
Physical description
Contributors
References
  • P. Phelan, Unmarked. The Politics of Performance, London 1993;
  • P. Auslander, Liveness. Performance in a Mediatized Culture, London-New York 1999;
  • P. Auslander, Digital Liveness. A Historico-Philosophical Perspective, “A Journal of Performance and Art” 2012, n. 102
  • E. Fischer-Lichte, Estetica del performativo. Una teoria del teatro e dell’arte, Roma 2014.
  • K. Woźniak, Przestarzałe ciało. Próby o estetyce performatywności w rzeczywistości postbiologicznej, [in:] Artysta: biokulturowy interfejs?, ed. M. Pieniążek, Kraków 2017, p. 75-84
  • A. Jones, “The Artist is Present”. Artistic Re-enactments and the Impossibility of Presence, “The Drama Review” 2011, n. 55 1, p. 16-45..
Document Type
Publication order reference
Identifiers
YADDA identifier
bwmeta1.element.desklight-2415c5cd-9c38-4180-991b-bbdd317d0c56
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