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2012 | 6 | 87-105

Article title

An overview of contextual variables in the analysis of conflict with an example of their operation in literary discourse

Authors

Selected contents from this journal

Title variants

PL
Czynniki kontekstowe i ich znaczenie dla analizy konfliktu na przykładzie dialogów literackich

Languages of publication

EN

Abstracts

EN
Context and meaning are dynamie phenomena, constructed in interaction. Interac-tants cooperate in constructing context, which involves various social, psychological and cognitive factors that determine what is said and what is understood during an ex-change. In this article, the data for analysis is a selection of two sample conflictive ex-changes between father and his grown-up son presented in American play Fences by August Wilson. These conflicts are freąuently heated, irrational spirals. Therefore, par-ticular attention will be devoted to the mental context of the language used in these conflicts and its relation to the choice of conflict strategies. The internal (mental) con-text will be analyzed in terms of the participants’ cognitive-affective-conative system; that is, e.g. how the interactants’ knowledge, perception or attention can trigger conflict through false assumptions about each other’s lives, denial of certain facts or lack of information; how the interactants’ emotions, personalities, needs etc. contribute to the development of conflict when they are incompatible or mutually exclusive; and how the conflict participants’ verbal behavior relates to their motivations and goals, such as instrumental or relational goals, either explicitly stated or deliberately obscured. Another important set of contextual variables are those of the external (social and his-torical) context such as the participants’ power, distance or gender, and the spatio-temporal frame. Additionally, the multidimensional role of context in the production and reception of a literary text will be looked at, as the various contexts are in constant interaction.
PL
Artykuł jest próbą ukazania, jak ważną rolę w konstruowaniu znaczenia w in-terakcji odgrywa kontekst. Przyjęto założenie, że szeroko pojęty kontekst jako suma czynników społecznych, psychologicznych i mentalnych (kognitywnych) niejednokrot-nie decyduje o tym, jak (błędnie) są interpretowane wypowiedzi - a to prowadzi do konfliktu. Na przykładzie dwóch fragmentów z dramatu Augusta Wilsona pt. Fences dokonano krótkiej analizy konfliktu między ojcem a synem, ze szczególnym uwzględ-nieniem kontekstu mentalnego jako systemu kognitywno-afektywno-konatywnego. Poza tradycyjnym ujęciem kontekstu jako tła społeczno-kulturowego wydarzeń ukazano min., jak różnice w postrzeganiu i rozumieniu zdarzeń, niewiedza lub wyparcie faktów mogą wywołać konflikt, jakie znaczenie mają emocje oraz osobowość uczestników konfliktu. Artykuł zawiera również podsumowanie podejść do zagadnienia kontekstu w literaturze oraz charakterystykę oddziaływania różnych rodzajów kontekstu w tekście literackim.

Year

Issue

6

Pages

87-105

Physical description

Dates

published
2012

Contributors

author
  • Państwowa Wyższa Szkoła Zawodowa w Gorzowie Wielkopolskim

References

  • V. Herman, Dramatic discourse. Dialogue as interaction in plays, London 1995.
  • M. Short, J. Culpeper & E. Semino, “Language and context: Jane Gardam’s ‘Bilgewater’,” [in:] T. Bex, M. Burke & P. Stockwell (eds.), Contextualized Stylistics. In Honor of Peter Verdonk, Amsterdam 2000.
  • P. Verdonk, Stylistics, Oxford 2002.
  • P. Simpson, Stylistics: a resource book for students, New York 2004.
  • R. Kopytko, The mental aspects of pragmatic theory, Poznań 2002.
  • H. Spencer-Oatey, Culturally Speaking: Culture, Communication and Politeness Theory, London 2008.
  • J.J. Weber, Three models of power in ‘Oleanna’ [in:] P. Verdonk, J. Culpeper & M. Short (eds.), Exploring the Language of Drama: From Text to Context, London 1998.
  • H. Spencer-Oatey, Culturally Speaking: Culture, Communication and Politeness Theory, London 2008.
  • E. Chaika, Language The Social Mirror, Boston 1994.
  • D. Tannen, I Only Say This Because I Love You. Talking to Your Parents, Partner, Sibs, and Kids When You’re All Adults, New York 2001.
  • D. Tannen, Conversational Style. Analyzing Talk among Friends, Oxford 2005.
  • A.D. Grimshaw (ed.), Conflict talk: Sociolinguistic investigations of arguments and conversations, Cambridge 1990.
  • J. L. Hocker & W. Wilmot, Interpersonal conflict, Dubuque 1995.
  • H. Bloom (ed.), Bloom’s Major Dramatists: August Wilson, New York 2002.
  • C. W. E. Bigsby, Modern American Drama, 1945–2000, Cambridge 2000.
  • J. Timpane, Filling the Time: Reading History in the Drama of August Wilson [in:] A. Nadel (ed.), May All Your Fences Have Gates. Essays on the Drama of August Wilson, Iowa City 1994.
  • A. Wilson, Fences, New York 1986.
  • D. Savran, In Their Own Words: Contemporary American Playwrights, New York 1998.
  • C. McDonough, Staging Masculinity. Male Identity in Contemporary American Drama, Jefferson, North Carolina 1997.
  • S. Mandala, Twentieth-Century Drama Dialogue as Ordinary Talk. Speaking Between the Lines, Hampshire 2007.
  • M. Cooper, Implicature, convention and The Taming of the Shrew, [in:] P. Verdonk, J. Culpeper & M. Short (eds.), Exploring the Language of Drama: From Text to Context, London 1998.
  • V. Lowe, 'Unhappy’ confessions in The Crucible’. A pragmatic explanation, [in:] P. Verdonk, J. Culpeper & M. Short (eds.), Exploring the Language of Drama: From Text to Context, London 1998.

Document Type

Publication order reference

Identifiers

ISSN
1734-4557

YADDA identifier

bwmeta1.element.desklight-25f276af-58d6-45cd-962e-28304f571c4a
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