Interpretacja a dyrygentura śpiewu gregoriańskiego

• Authors: Sławecki Michał

Title variants

EN

INTERPRETATION AND CONDUCTING OF THE GREGORIAN CHANT

• Languages of publication: PL

Abstracts

EN

Problems of the conducting of the Gregorian composition depends on rhythmical optics chosen by the conductor. Used since 1908 method of Solesmes involving the bipartite and tripartite meaning of rhythm, with semiological optics executive has become anachronistic. Founder of renewed executive concept – Dom Cardine – returned to reading and understanding of the rhythmic signs contained in the oldest preserved musical-liturgical sources (Sankt Gallen and Laon). There is no collection of conventional gestures, which could use the Gregorian conductor. The initial analytical gesture, characterized by distinguishing the different sounds, in terms of synthetic depends on the degree of knowledge of Gregorian semiology. Gesture requires first of all emphasize the notes and extended by graphic separation from others - articulated.

Keywords

PL

interpretacja gregoriańska; semiologia gregoriańska; Dom Eugène Cardine; artykulacja; gesty dyrygenta; dyrygowanie

EN

gregorian interpretation; gregorian semiology; Dom Eugène Cardine; articulations; gestures of the director; conducting

• Publisher: Stowarzyszenie Polskich Muzyków Kościelnych
• Journal: Musica Ecclesiastica
• Year: 2017
• Issue: 12
• Pages: 123-134

Contributors

author

Sławecki Michał

• Uniwersytet Muzyczny Fryderyka Chopina w Warszawie