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2021 | 1-4 (277-280) | 48-57

Article title

Kostiumy w japońskim teatrze kyōgen: estetyka komizmu

Authors

Content

Title variants

EN
Costumes in the Japanese Kyogen Theatre. The Aesthetics of Comic Quality

Languages of publication

PL

Abstracts

EN
Japanese kyōgen theatre is a comedy, and it has developed alongside nō drama from the 14th century on. Both types of theatre are performed even today and new plays for them are written, but the performances take place on a traditional stage, where the stage set and the costumes are traditional, as well. Kyōgen theatre costumes boldly combine humour with elegance and beautiful design. The article introduces the most important elements of basic types of kyōgen costumes and discusses the ornaments used on them, their meaning, and in what way they influence the atmosphere on the stage. The ornaments are both geometrical, from quite simple to more complicated ones (often grid patterns, stripes), and representational, in multiple forms and very rich imagery. The images on the costumes represent animals (often rabbits and hares), birds, fruit and vegetables (who would think a common turnip might look so interesting!), insects and crabs; all sorts of inanimate objects: fishing nets, houses, ox carts, fans, musical instruments etc. These costumes are fascinating examples of Japanese aesthetics: its asymmetry, overlaying of the images, taking part for the whole.

Keywords

Year

Pages

48-57

Physical description

Contributors

author
  • Uniwersytet Warszawski

References

  • Kirihata, Ken. Kyōgen no shōzoku. Suō to kataginu (Kostiumy kyōgen. Suō oraz kataginu). Shikōsha, 1976.
  • Kirihata, Ken. Kyōgen no shōzoku. Kyōgen Costumes. Shikosha Publishing, 1993.
  • Matsuda, Tamotsu. Nō, kyōgen, Dentō Geinō Shirīzu (Seria sztuk tradycyjnych) 5. Gyōsei, 1990.
  • Nomura, Mansaku. “Experiments in Kyōgen.” Nō and Kyōgen in the Contemporary World, red. James R. Brandon, University of Hawai’i Press, 1997, s. 173–182.
  • Omote, Akira. Zeami, Zenchiku, Nihon Shisō Taikei (Wielki zbiór myśli japońskiej) 24. Iwanami Shoten, 1974.
  • Zaborowska, Barbara. Kimono. Jego dzieje i miejsce w japońskiej kulturze. Wydawnictwo Trio, 2014.
  • Zalewska, Anna. Siewki (Chidori), [przekład z języka japońskiego], „Litteraria Copernicana”, nr 2/14, 2014, s. 349–359.
  • Żeromska, Estera. Japoński teatr klasyczny. Korzenie i metamorfozy, tom 1. Nō, kyōgen, tom 2. Kabuki, bunraku. Wydawnictwo Trio, 2010.
  • https://bunka.nii.ac.jp/heritages/detail/292460/1 [30.12.2021].
  • https://kyotokyogen.com/guide/onigawara [3.01.2022].
  • https://dl.ndl.go.jp/info:ndljp/pid/2553401 [3.01.2022].
  • https://kyotokyogen.com/ippei3 [3.01.2022].
  • https://kyotokyogen.com/shingo3/ [3.01.2022].
  • https://kyotokyogen.com/maruishi2/ [3.01.2022].

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.desklight-37130bc6-63a5-40b5-ba15-c8cac060b2e8
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