PL EN


2013 | 75 | 3 | 505-535
Article title

Materialna historiografia sztuki. Wokół książki Galerja Stanisława Augusta Tadeusza Mańkowskiego

Authors
Title variants
EN
Material Art Historiography. Tadeusz Mańkowski’s Galerja Stanisława Augusta of 1932
Languages of publication
PL
Abstracts
EN
This article presents an analysis of Tadeusz Mańkowski’s book Galerja Stanisława Augusta as a material object. By focusing on such aspects of the book as the expensive in quarto format, the paper, the photographic illustrations, the leather binding, the supralibros with the King’s coat of arms and the bookplate with his signature, as well as on the history of its creation, distribution and popularisation, it considers it as a milestone in Polish art history. Arguably, the edition of the historical inventories of the royal collection of paintings, dismembered after 1795, is modelled on the most prestigious European examples of the Old Masters scholarship: Wilhelm von Bode’s and Cornelis Hofstede de Groot’s monumental Rembrandt’s multivolume in folio catalogue (1897-1907) and August Jaccaci’s and John La Farge’s Noteworthy Paintings in American Collections (the first and only volume issued in 1909).
Year
Volume
75
Issue
3
Pages
505-535
Physical description
Contributors
  • Instytut Sztuki Polskiej Akademii Nauk, Warszawa
References
  • Anderson Jaynie, „The political power of connoisseurship in nineteenth-century Europe: Wilhelm von Bode versus Giovanni Morelli”, Jahrbuch der Berliner Museen 1996, t. 88.
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  • Caraffa Costanza, „From «photo libraries» to «photo archives». On the epistemological potential of art-historical photo collections”, [w:] Photo Archives and the Photographic Memory of Art History, red. Costanza Caraffa, Berlin 2011.
  • Edwards Elizabeth, „Photographs. Material form and the dynamic archive”, [w:] Photo Archives and the Photographic Memory of Art History, red. Costanza Caraffa, Berlin 2011.
  • Frick Symington Sanger Martha, Henry Clay Frick. An Intimate Portrait, Abbeville Press 1998.
  • Haskell Francis, The Ephemeral Museum: Old Master Paintings and the Rise of the Art Exhibition, Yale University Press 2000.
  • Haskell Francis, The Painful Birth of the Art Book, London 1987.
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  • Jensen Adams Ann, „The Rijksbureau voor Kunsthistorisches Documentatie and the Subject of Dutch Art History”, [w:] Photo Archives and the Photographic Memory of Art History, red. Costanza Caraffa, Berlin 2011
  • Kunińska Magdalena, „Marian Sokołowski (1839-1911)”, Rocznik Historii Sztuki 2012, t. XXXVII.
  • Marchesano Louis, „The Düsseldorf Gallery and the End of the «Galeriewerk» Tradition”, [w:] Display & Art History: the Düsseldorf Gallery and its Catalogue, red. Thomas W. Gaethgens, Los Angeles 2011.
  • Peters Dorothea, Wilhelm Bodes „«Oeuvre de Rembrandt» (1897-1905). Von der fotografischen Kampagne zur illustrierten Künstlermonographie”, [w:] Kunstwerk-Abbild-Buch. Das illustrierte Kunstbuch, red. Katharina Krause, Klaus Niehr, München 2007.
  • Prymak Thomas M., „Rembrandt’s «Polish Rider» in its Eastern European Context”, The Polish Review 2011, t. LVI, nr 3.
  • Scallen Catherine B., Rembrandt, Reputation and the Practice of Connoisseurship, Amsterdam 2004.
  • Skrzypczak Andrzej, Ruch wydawniczy we Lwowie w latach 1929-1939, Warszawa 2012.
  • Yonan Michael, „Toward a Fusion of Art History and Material Culture Studies”, West 86th 2011, t. 18, nr 2.
Document Type
Publication order reference
Identifiers
YADDA identifier
bwmeta1.element.desklight-38046ea2-a74c-4373-86eb-05531e60b210
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