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2013 | 13 | 279-290

Article title

Tożsamość kobiet(y) a problematyka społeczno-filozoficzno-kulturowa w prozie Ludmiły Ulickiej powieść Веселые похороны)

Title variants

EN
The artistic work of a woman and social, philosophical, cultural issues in the prose of Lyudmila Ulitskaya (The Funeral Party novel)

Languages of publication

PL

Abstracts

EN
In the present article an attempt of defining the essence of Lyudmila Ulitskaya’s characteristic polemics, with a well-established in culture and literature stereotype of both, femininity and a woman, as well as female-male relations, has been carried out. From our point of view, the postmodern author, in her novel The Funeral Party, tries to demonstrate that Cartesian definition of femininity is wrong, as in her novel it is not a woman, but a man who is the epitome of “a suffering body”. In concordance with which Ulitskaya, playing a saturated with irony game, by the use of three archetypical female heroines, not only openly dismantles the myth of an emotional, weak, female “self”, but also of a masculine “self” – which is alleged to be rational, strong and logical.

Keywords

Year

Volume

13

Pages

279-290

Physical description

Contributors

References

  • de Beauvoir S., 2003, Druga płeć, przeł. G. Mycielska i M. Leśniewska, Warszawa.
  • Bordo S., 1993, Unbearable Weight. Feminizm, Western Cultuire, and the Body, Berkeley.
  • Bordo S., Moussa M., 1993, Rehabilitating „the I”, [w:] Questioning Foundations.
  • Truth/Subjectivity/Culture, red. H. J. Silwerman, New York and London.
  • Butler J., 2008, Uwikłani w płeć, przeł. K. Krasuska, Warszawa.
  • Cirlot J. E., 2000, Słownik symboli, Kraków.
  • Hyży E., 2003, Kobieta, ciało, tożsamość. Teorie podmiotu w filozofii feministycznej końca XX wieku, Kraków.
  • Irgaray L., 1996, Ta płeć, która nie jest jednością, przeł. K. Kłosińska, „FA-art.”, nr 4. Spelman E., 1982, Woman as Body: Ancient and Conterporary Views, „Feminist Studies”, nr 1.
  • Юзефович Г., 2011, Людмила Улицкая: „Во мне борются две природы – богемная, разгильдяйская и высокоорганизированная, дисциплинированная”, „Итоги”, № 8 (767): „В нашей стране плохо знают, кто такая Симона де Бовуар. Она известна у нас скорее как спутница Жан-Поля Сартраи одна из теоретиков феминизма. Я не принадлежу ни к поклонникам Сартра, ни к феминисткам”, [online] http: www.itogi.ru [8.08.2012].
  • Улицкая Л., 2009, Веселые похороны, [в:] Три повести, Москва.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.desklight-399a1192-b087-4953-80bf-5868818333d9
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