Le silence, mise à l’épreuve de la sincérité au théâtre (1802-1828)

• Authors: Fix Florence

Title variants

EN

Testing and contesting authority: silence in French theatre (1802-1828)

• Languages of publication: FR

Abstracts

EN

In 19th century French very successful melodrama, discourse is seen as a powerful way to get attention. Criminals and traitors are masters of speech and seductive persuasion, but they never achieve their goals by the end of the play. On the other hand, the mute, humble and shy characters demonstrate that silence can convey values such as honesty, loyalty and show the audience that sensibility should be preferred to histrionic actor play.

Keywords

EN

melodrama; mute characters; pantomime; mutism; Pixerécourt.

• Publisher: Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
• Journal: Quêtes littéraires
• Year: 2017
• Issue: 7
• Pages: 34-42

Contributors

author

Fix Florence

• Université de Rouen-Normanie, CÉRÉdI

References

• Mauduit-Larive J. 1801. Réflexions sur l’art théâtral. Paris. Rondonneau.
• Pixerécourt R. C. G. de. 1971a. Théâtre choisi. Tome 1. Genève. Slatkine.
• Pixerécourt R. C. G. de. 1971b. Théâtre choisi. Tome 3. Genève. Slatkine.
• Rykner A. 1996. L’envers du théâtre. Dramaturgie du silence de l’âge classique à Maeterlinck. Paris. José Corti.
• Zola É. 1881. Le théâtre naturaliste. Paris. Charpentier.

Identifiers

DOI

10.31743/ql.153