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Languages of publication
Abstracts
The stylistic panorama of the 20th century music is notable for an aesthetic variety of works by different composers and compositional schools. This fact is corroborated by the ambiguity and plurality of musical cultures, made manifest by certain artistic trends and tendencies transpiring during the late 19th and early 20th centuries. As the century progressed, certain artistic tendencies underwent a transformation and evolved into other stylistic novelties. The works for the accordion by Ukrainian composers display folk-like influences and project an array of aesthetic approaches to the idea of musical personification. This is most clearly expressed in the way the composer: (1) borrows the material from folklore; (2) appeals to lyrical, psychological, expressive and figurative characteristics of work of art with the expression of the process-emotional nature of person’s “inner world”; (3) experiments with associative references such as, intonation, intonemas, and grief; (4) employs programmatic narrative; (5) uses epigraph and musical quotes; and (6) makes clear references to the genres and techniques of baroque and, occasionally, early classical music
Journal
Year
Issue
Pages
69-77
Physical description
Dates
published
2014
Contributors
author
- Vasyl Stefanyk Precarpathian National University Ivano-Frankivsk
References
- Григорьев С., Теоретический курс гармонии, Музыка, Москва 1981.
- Ляшенко І., Історико-стильові та етнофольклорні джерела формування української композиторської школи, [in:] Українська художня культура, ред. И.Ф. Лященко, Київ 1996.
- Мельник Л.O., Необарокові тенденції в музиці ХХ століття, автореф. дис. канд. мистецтвознав, 17.00.03, Нац. муз. акад. України ім. П.І.Чайковського, Київ 2004.
- Павлишин С., Музика двадцятого століття, Львів. муз. акад. ім. М.В.Лисенка, Львів 2005.
Document Type
Publication order reference
Identifiers
ISSN
2083-1226
YADDA identifier
bwmeta1.element.desklight-4c53120b-61c4-4d7f-881d-4dea75493b0c