Оперы Генделя в контексте современной режиссуры: к вопросу о претворении приёмов современных медиа

• Authors: Консон Григорий , Консон Ирина

Title variants

EN

Handel's Operas in the Context of Contemporary Directing: on the Implementation of Modern Media Techniques

• Languages of publication: RU EN

Abstracts

EN

The article is based on the interaction of two genres, namely travel notes, including the author's impressions of a trip to the German cities of Halle, Bad-Lauchstedt and Bernburg, as well as reviews of modern productions of Baroque operas. Halle is famous as the birthplace of the outstanding composer Georg Friedrich Handel (1685-1759). The international Handel music festival is held here every year, which also includes an international scientific Symposium dedicated to the study of the great Saxon and his contemporaries. The concept of this year's Symposium, "Sensitive, heroic, sublime: Handel's women," was to study the female images embodied in his operas. The authors traveled to Halle as journalists to describe their impressions of both the trip and the contemporary productions of Handel's stage works. But in considering the history and cultural events of this city, we were able to go beyond ordinary observations into the sphere of scientific generalizations and come to the conclusion that the directors’ understanding of these operas through the integration of musical drama with related arts was unusually expanded. To study this phenomenon, we turned to the scientific tools developed in Russia by two Soviet researchers who have become seminal in their field. One of them was the psychologist Lev Vygotsky, who, exploring the spiritual world of the hero in fiction, revealed his psychological contradictions, expressed in the conflict of the narrative and the plot. The other, Sergei Eisenstein, who knew Vygotsky’s manuscript of his study "Psychology of Art" and, with some influence from these ideas, created his own "psychology of art", which is set out in the pages of his works of different years. The core of this concept was "the transition from the Expressive Movement to the image of a work of art... as a process of the interaction of layers of consciousness", which allowed for multiple entries into the artistic image. Such entries are also supported by some features of the cinematograph where the first among equals is the principle of intellectual editing, based on Eisenstein's montage theory. In Eisenstein's theory, other types of editing—linear, parallel, associative—have been generalized and developed into a large-scale system of the psychology of heroes in art. In this article, the identification of the essence of these processes made it possible for the authors to discern the phenomenon of increasing the meaning in the Halle directors' interpretations of Handel's operas, which arises from the merger of two seemingly irreconcilable and conflicting layers of consciousness: Baroque and eclectic modern, which developed at the turn of the last century.

Keywords

RU

Гендель; Халле; город; театр; опера; режиссёр; герой; композитор; исполнитель; автор; балет; сцена,; ария; вхождение в образ наращивание смысла; слои сознания; экран

EN

Handel; Halle; city; theater; Opera; Director; hero; composer; performer; author; ballet; stage; Aria; entering into the image; building sense; layers of consciousness; screen

• Publisher: Uniwersytet Pomorski w Słupsku
• Journal: Ars inter Culturas
• Year: 2019
• Volume: 8
• Pages: 259-278

Dates

published

2020-01-10

received

2019-11-20

Contributors

author

Консон Григорий

author

Консон Ирина

References

• Bell, Arnold C. Handel before England. Darley: Grian-Aig Press, 1975.
• Bowdler, Sandra. „A bizarre Berenice at the Halle Handel Festival”. Bachtrack, 27.05.2018. Доступ 4.07.2019. bachtrack.com/review-berenice-biganzoli-lichtenstein-handel-halle-may-2018.
• Bowdler, Sandra. „Festkonzert with Carolyn Sampson: Handel’s Heroines”. Bachtrack,14.06.2019. Доступ 6.07.2019. bachtrack.com/review-handel-festival-halle-sampson-brough-the-kings-consort-king-june-2019. Burrows, Donald. Handel. The Master Musicians. Oxford: Oxford University Press, 1994.
• Ćurković, Ivan. „Handel Festival Halle 2019”. Journal for Eighteenth-Century Studies, 1.07.2019. Доступ 5.07.2019. www.bsecs.org.uk/criticks-reviews/handel-festival-halle- 2019. Ehrnrooth, Albert. „Berenice finally conquers Händel festspiele”. Tag Archives: Samuel Mariño, 1.06.2018. Доступ 1.12.2019. www.acge.net/tag/samuel-marino.
• Goethestadt Bad Lauchstädt. Доступ 11.11.2019. www.saale-unstrut-tourismus.de/goethestadt- bad-lauchstaedt.
• Lang, Paul H. George Frideric Handel. New York: Norton: Dover Publications, Inc. 1966. Warszawski, Jean-Marc. „Au dernier jour du festival Händel de Halle 2019”. Musicologie.org, 16.06.2019. Доступ 1.12.2019. www.musicologie.org/19/au dernier jour du festival haendel de halle.html. Wikipedia. Доступ 30.06.2019. de.m.wikipedia.org/wiki/Datei:Konzerthalle St Ulrich-Kirche. jpg. YouTube. Доступ 30.06.2019. www.youtube.com/watch?v=VSyrO7koQbw. YouTube. Доступ 31.12.2019. www.youtube.com/watch?v=qaZo8xESEG8.
• Ваннер, Инга. „10 самых красивых старинных театров Германии”. Deutsche Welle, 05.08.2015. Доступ 5.10.2019. www.dw.com/ru/10-%D1%81%D0%B0%D0%BC%D1%8B%D1%85%D0%BA%D1%80%D0%B0%D1%81%D0%B8%D0%B2%D1%8B%D1%85%D1%81%D1%82%D0%B0%D1%80%D0%B8%D0%BD%D0%BD%D1%8B%D1%85%D1%82%D0%B5%D0%B0%D1%82%D1%80%D0%BE%D0%B2-% D0% B3%D0%B5%D1%80%D0%BC%D0%B0%D0%BD%D0%B8%D0%B8/a-18526016. Выготский, ЛевС.Психологияискусства. Mосква: Искусство, 1968.
• Мокульский, СтефанС. История западноевропейского театра. Веймарский театр и режиссура Гёте. T. 2. Москва: Искусство, 1956-1957. Доступ 3.07.2019. lit-prosv. niv.ru/lit-prosv/mokulskij-istoriya-teatra-t2/vejmarskij-teatr-rezhissura-gete.htm.
• Федосеев, Иван С. Оперноетворчество Г.Ф. Генделя. Автореферат диссертации на соискание уčеной степени доктора иску ствоведениâ. Доступ 30.06.2019. cheloveknauka.com/opernoe-tvorchestvo-g-f-gendelya.
• Эйзенштейн, СергейМ. „Психология искусства (неопубликованные конспекты статьи и курсалекций)”. В Психология процессов художественного творчества, ред. Борис Соломонович Мейлах, Николай Андреевич Хренов, 173-203. Ленинград: Наука, 1980.
• Transliteration
• Bell, Arnold C. Handel before England. Darley: Grian-Aig Press, 1975.
• Bowdler, Sandra. „A bizarre Berenice at the Halle Handel Festival”. Bachtrack, 27.05.2018. Dostup 4.07.2019. bachtrack.com/review-berenice-biganzoli-lichtenstein- handel-halle-may-2018.
• Bowdler, Sandra. „Festkonzert with Carolyn Sampson: Handel’s Heroines”. Bachtrack,14.06.2019. Dostup 6.07.2019. bachtrack.com/review-handel-festival-halle-sampson-brough-the-kings-consort-king-june-2019.
• Burrows, Donald. Handel. The Master Musicians. Oxford: Oxford University Press, 1994.
• Ćurković, Ivan. „Handel Festival Halle 2019”. Journal for Eighteenth-Century Studies, 1.07.2019. Dostup 5.07.2019. www.bsecs.org.uk/criticks-reviews/handel-festival-halle-2019.
• Ehrnrooth, Albert. „Berenice finally conquers Händel festspiele”. Tag Archives: Samuel Mariño, 1.06.2018. Dostup 1.12.2019. www.acge.net/tag/samuel-marino.
• Fedoseev, Ivan S. Opernoe tvorchestvo G.F. Gendelja. Avtoreferat dissertacii na sois-kanie učenoj stepeni doktora iskusstvovedeniâ. Dostup 30.06.2019. cheloveknau-ka.com/opernoe-tvorchestvo-g-f-gendelya.
• Goethestadt Bad Lauchstädt. Dostup 11.11.2019. www.saale-unstrut-tourismus.de/ goethestadt-bad-lauchstaedt.
• Jejzenshtejn, Sergej M. „Psihologija iskusstva (neopublikovannye konspekty stat’i i kursa lekcij)”. V Psihologija processov hudozhestvennogo tvorchestva, red. Boris Solomonovich Mejlah, Nikolaj Andreevich Hrenov, 173-203. Leningrad: Nauka, 1980. Lang, Paul Henry. George Frideric Handel. New York: Norton: Dover Publications, Inc. 1966.
• Mokul’skij, Stefan S. Istorija zapadnoevropejskogo teatra. Vejmarskij teatr i rezhissura Gjote. T. 2. Moskva: Iskusstvo, 1956-1957. Dostup 3.07.2019. lit-prosv.niv.ru/lit-prosv/ mokulskij-istoriya-teatra-t2/vejmarskij-teatr-rezhissura-gete.htm.
• Vanner, Inga. „10 samyh krasivyh starinnyh teatrov Germanii”. Deutsche Welle, 05.08.2015. Dostup 05.10.2019. www.dw.com/ru/10-%D1%81%D0%B0%D0%BC% D1%8B%D1%85-%D0%BA%D1%80%D0%B0%D1%81%D0%B8%D0%B2% D1%8B%D1%85-%D1%81%D1%82%D0%B0%D1%80%D0%B8%D0%BD% D0%BD%D1%8B%D1%85-%D1%82%D0%B5%D0%B0%D1%82%D1%80% D0%BE%D0%B2-%D0%B3%D0%B5%D1%80%D0%BC%D0%B0%D0%BD% D0%B8%D0%B8/a-18526016.
• Vygotskij, Lev S. Psihologija iskusstva. Moskva: Iskusstvo, 1968. Warszawski, Jean-Marc. „Au dernier jour du festival Händel de Halle 2019”. Musicologie.org, 16.06.2019. Dostup 1.12.2019. www.musicologie.org/19/au dernier jour du festival haendel de halle.html.
• Wikipedia. Dostup 30.06.2019. de.m.wikipedia.org/wiki/Datei:Konzerthalle St Ulrich-Kirche.jpg. YouTube. Dostup 30.06.2019.
• www.youtube.com/watch?v=VSyrO7koQbw. YouTube. Dostup 31.12.2019.
• www.youtube.com/watch?v=qaZo8xESEG8.