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2017 | 66 | 3(263) | 135-170

Article title

Brytyjczycy i Amerykanie o teatrze polskim lat zaborów

Selected contents from this journal

Title variants

EN
The British and Americans on the Polish Theatre of the Post-Partitioning Years

Languages of publication

Abstracts

EN
The publication consists of fragments of 43 English-language texts of varied character, including classic travel accounts, autobiographies, reportages, reminiscences, as well as analytical or problem-focused studies. What they have in common is that their authors share their observations and experiences relating to the theatres and theatre life in the territory of the former Polish-Lithuanian Commonwealth in the post-partitioning period of 1795–1918. The set is organized chronologically, opening with an account from 1804 and concluding with a report from 1915, so all the documents come from a time after the Third Partition, and several of the latest date from the First World War. They talk about the National Theatre headed by Wojciech Bogusławski, about Franciszek Bohomolec, and Adam Kazimierz Czartoryski, about the legendary 1899 production of Kordian in Cracow, and about the first tango in the Warsaw Nowości Theatre in 1915. They include information about theatre buildings and halls, actors, and repertories, about the way partition authorities related to the Polish theatre, about the audiences and the way they responded in Warsaw, Vilnius, Zamość, Cracow, Lvov, Gdańsk, Poznań, and Kalisz, about the curtain by Henryk Siemiradzki, and about the world-famous Polish actress, Helena Modrzejewska. The period in which the texts were written spans over a hundred years, meaning that the political and social conditions during that time were evolving, which, along with the political views of the authors, influenced the writing perspectives. Thus, the pieces that have been collected here do not form a consistent thematic whole, as they refer to different contexts; nevertheless, they do provide a lot of precious pieces of information and observations that are all the more interesting for having been made by foreigners: people from the outside. The edition is supplied with footnotes with biographical information about the authors of respective accounts.

Keywords

Year

Volume

66

Issue

Pages

135-170

Physical description

Contributors

  • Zamek Królewski w Warszawie

References

  • K. Ajewski, Stanisława Kostki Zamoyskiego życie i działalność 1775–1856, Warszawa 2010.
  • E. Damps, Historia Teatru Miejskiego w Gdańsku, Gdańsk 2015.
  • Z. Gołębiowska, W kręgu Czartoryskich. Wpływy angielskie w Puławach na przełomie XVIII i XIX wieku, Lublin 2000.
  • B. Grzegorczyk, Architektura teatralna na obszarze dzisiejszej Polski od około 1780 do 1880 roku, [w:] Architektura teatralna w Polsce, red. D. Buchwald, M. Jarzyna, P. Morawski, Warszawa 2011.
  • B. Król-Kaczorowska, Teatr Dawnej Polski: Budynki, Dekoracje, Kostiumy. Warszawa 1971.
  • A. Lochwood, Passionate Pilgrims. The American Travelers in Great Britain 1800–1914, New York 1981.
  • J. Miziołek, Teatr Wielki w Warszawie. 250-lecie teatru publicznego w Polsce 1765–2015, Warszawa 2015.
  • Z. Raszewski, Z tradycji teatralnych Pomorza, Wielkopolski i Śląska, Wrocław 1955.
  • L. Simon, Teatr francuski w Warszawie za czasów Królestwa Kongresowego (1815–1830), „Pamiętnik Literacki” 1932 z. 3–4.
  • H. Waszkiel, Trudne lata. Teatr warszawski 1815–1868, Warszawa 2015.
  • K. Wierzbicka-Michalska, Aktorzy cudzoziemscy w Warszawie w latach 1795–1830, Wrocław 1988.
  • W. Zawadzki, Relacje cudzoziemców o Wojciechu Bogusławskim i teatrze jego epoki. Materiały do dziejów teatru polskiego XVIII i początku XIX wieku, „Pamiętnik Teatralny” 1954 z. 3–4.
  • J. Zieliński, Wyspiański oczami Anglika w roku 1911, „Pamiętnik Teatralny” 1965 z. 3–4.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.desklight-50463e03-e01d-464f-8345-063dae60a0bc
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